- BPM
- 72
- Key
- A Minor
- Camelot
- 8A
Trio in A minor for clarinet/viola, cello and piano, Op. 114: II. Adagio - Johannes Brahms, Maxim Rysanov, Jacob Katsnelson, Kristine Blaumane Information
- Acousticness
- 98%
- Danceability
- 21%
- Energy
- 11%
- Instrumentalness
- 48%
- Liveness
- 10%
- Loudness
- 72%
- Speechiness
- 6%
- Valence
- 14%
- Popularity
- 2%
- Loudness
- -16.527 dB
Summary
"Trio in A minor for clarinet/viola, cello and piano, Op. 114: II. Adagio" by Johannes Brahms, Maxim Rysanov, Jacob Katsnelson, Kristine Blaumane had its release date on September 24, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 18 in Brahms Viola by Johannes Brahms, Maxim Rysanov. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Trio in A minor for clarinet/viola, cello and piano, Op. 114: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Trio in A minor for clarinet/viola, cello and piano, Op. 114: II. Adagio BPM
The tempo marking of Trio in A minor for clarinet/viola, cello and piano, Op. 114: II. Adagio by Johannes Brahms, Maxim Rysanov, Jacob Katsnelson, Kristine Blaumane is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Trio in A minor for clarinet/viola, cello and piano, Op. 114: II. Adagio Key
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | |
 | Meditation: Méditation from Thaïs | Jules Massenet, Nicola Benedetti, London Symphony Orchestra, Daniel Harding | E Minor | 1 | 9A | 89 BPM | |
 | Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | |
 | Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | |
 | Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | |
 | Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | |
 | Minuet in A major, D. 334 | Franz Schubert, Arcadi Volodos | A Major | 0 | 11B | 92 BPM | |
 | Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | |
 | Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | |
 | Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM |
- ISRC
- GBPCP0800375
- Label
- L-M Records/RCA Records