"Nocturne in A-Flat Major, Op. 32, No. 2: Nocturne No. 10" by Peter Schmalfuss was released on May 24, 2013. With this song being about 5 minutes long, at 4:58, "Nocturne in A-Flat Major, Op. 32, No. 2: Nocturne No. 10" by Peter Schmalfuss is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 12 in Classic for You: Chopin: Nocturne Op. 9, 15, 27, 32, 37 by Peter Schmalfuss. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Nocturne in A-Flat Major, Op. 32, No. 2: Nocturne No. 10 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nocturne in A-Flat Major, Op. 32, No. 2: Nocturne No. 10 by Peter Schmalfuss is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Consolations, S. 172: No. 3 In D Flat Major (Lento, placido) | Franz Liszt, Tamás Vásáry | D♭ Major | 0 | 3B | 70 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
Concerto In F Minor: Largo | Johann Sebastian Bach, Karen Englund & Societas Musica Chamber Orchestra | A♭ Major | 0 | 4B | 94 BPM | ||
Symphony No. 7 in A Major, Op. 92: II. Allegretto | Vladimir Fedoseyev, Moscow RTV Symphony Orchestra | E Minor | 0 | 9A | 139 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Skizzen für Klavier, Op. 4: No. 2, Idylle | Bedřich Smetana, Peter Schmalfuss | G Major | 2 | 9B | 184 BPM | ||
6 Pieces, Op. 19: IV. Nocturne (Andante sentimentale) | Pyotr Ilyich Tchaikovsky, Alexandre Tharaud | E Major | 0 | 12B | 68 BPM | ||
4 Impromptus, D. 899, Op. 90: No. 3 in G-Flat Major | Franz Schubert, Murray Perahia | C Minor | 5 | 5A | 150 BPM | ||
Douze études, Op. 25: No. 1 in A-Flat Major "Aeolian Harp" | Giovanni Umberto Battel | A♭ Major | 0 | 4B | 94 BPM | ||
Waltz No. 9 in A-Flat Major, Op. 69 No. 1 "The Farewell" | Pamela Howland | A♭ Major | 0 | 4B | 85 BPM |
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