"Thaïs / Acte Deux: Divertissement: 1. Allegro vivo" by Jules Massenet, Orchestre National Bordeaux Aquitaine, Yves Abel was released on July 7, 2000. The duration of Thaïs / Acte Deux: Divertissement: 1. Allegro vivo is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Thaïs / Acte Deux: Divertissement: 1. Allegro vivo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jules Massenet, Renée Fleming, Thomas Hampson, Choeur de l'Opéra de Bordeaux, Orchestre National Bordeaux Aquitaine, Yves Abel's "Massenet: Thaïs" album is number 5 out of 50. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Thaïs / Acte Deux: Divertissement: 1. Allegro vivo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Thaïs / Acte Deux: Divertissement: 1. Allegro vivo by Jules Massenet, Orchestre National Bordeaux Aquitaine, Yves Abel to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
An die Musik, D. 547 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | D Major | 1 | 10B | 81 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Meditation From "Thais" | Jules Massenet, Music Lab Collective | E Minor | 1 | 9A | 70 BPM | ||
Les Sylphides: 7. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D♭ Minor | 1 | 12A | 79 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Concerto en ré mineur, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 2 | 7A | 85 BPM | ||
Norma / Act I: "Casta Diva" (Arr. by Mathieu Herzog for Cello and Orchestra) | Vincenzo Bellini, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | F Major | 1 | 7B | 91 BPM | ||
Ma mère l'oye, M. 62: Tableau VI: Le jardin feerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 42 BPM | ||
Hungarian Dance No. 5 in G Minor, WoO 1, No. 5 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F♯ Minor | 1 | 11A | 107 BPM |
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