"Roma, WD 37: IV. Allegro vivacissimo" by Georges Bizet, RTÉ National Symphony Orchestra, Jean-Luc Tingaud was released on March 3, 2015. Roma, WD 37: IV. Allegro vivacissimo is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The song is number 13 out of 13 in Bizet: Roma & Other Orchestral Works by Georges Bizet, Jean-Luc Tingaud, RTÉ National Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Roma, WD 37: IV. Allegro vivacissimo is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Roma, WD 37: IV. Allegro vivacissimo by Georges Bizet, RTÉ National Symphony Orchestra, Jean-Luc Tingaud is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony In D Minor: 3. Allegro non troppo | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
Symphony No.3 in E flat, Op.97 - "Rhenish": 2. Scherzo (Sehr mäßig) | Robert Schumann, Los Angeles Philharmonic, Carlo Maria Giulini | E♭ Minor | 2 | 2A | 136 BPM | ||
May Night: Overture | Vladimir Fedoseyev, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks | G Major | 3 | 9B | 140 BPM | ||
The Maid of Pskov: Overture | Nikolai Rimsky-Korsakov, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 2 | 3B | 100 BPM | ||
Gli uccelli (The Birds), P. 154: III. La gallina: Allegro vivace | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Minor | 1 | 8A | 127 BPM | ||
Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 102 BPM | ||
Adam Zero: Adam's Fates | Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones | D Minor | 3 | 7A | 118 BPM | ||
Symphony In D Minor: 2. Allegretto | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
Suite Oriental (Suite Árabe): II. Serenata | Enrique Granados, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Major | 0 | 9B | 133 BPM | ||
Le docteur Miracle: Scene 4: Allons, tu as des connaissances tres variees (Le Podestat, Pasquin) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | C Major | 1 | 8B | 133 BPM |
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