"Brion: III. —" by Harold Meltzer, Cygnus Ensemble, James Baker was released on October 26, 2010. With Brion: III. — being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Harold Meltzer, Various Artists, James Baker, Paul Hostetter's "Meltzer: Brion - Sindbad - Exiles" album is number 3 out of 17. Brion: III. — is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Brion: III. — by Harold Meltzer, Cygnus Ensemble, James Baker to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ravel: Ma mère l'oye, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A Minor | 0 | 8A | 65 BPM | ||
Tout un monde lointain…: II. Regard | Henri Dutilleux, Jean-Guihen Queyras, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
Two Pieces for violin, viola and piano: II. Allegro con molto moto | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
Rothko Chapel 2 | Morton Feldman | B Minor | 0 | 10A | 141 BPM | ||
Shéhérazade, M. 41: III. L'indifférent | Maurice Ravel, Anne Sofie von Otter, Cleveland Orchestra, Pierre Boulez | C Major | 4 | 8B | 49 BPM | ||
24 Preludes for Violin and Piano, Op. 46: No. 15 Adagio sognando | Lera Auerbach, Mari Samuelsen, Julien Quentin | C Minor | 5 | 5A | 122 BPM | ||
Fugata (Arr. for Violin & String Orchestra by Ken Selden) | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): IV. Bird Music | Oliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. Mikkelson | E Minor | 2 | 9A | 112 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: 1. Largo | Dmitri Shostakovich, Borodin Quartet | C Minor | 1 | 5A | 114 BPM | ||
Ibert: Jeux (Sonatine for Flute and Piano): II. Tendre | Jacques Ibert, Eric Le Sage | B Major | 1 | 1B | 80 BPM |
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