"Magnificat in B flat major: Deposuit potentes" by Francesco Durante, Balthasar-Neumann-Chor, Thomas Hengelbrock was released on August 16, 1996. With Magnificat in B flat major: Deposuit potentes being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 25 in Durante, Astorga, Pergolesi / Sacred Works by Thomas Hengelbrock. In terms of popularity, Magnificat in B flat major: Deposuit potentes is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Magnificat in B flat major: Deposuit potentes by Francesco Durante, Balthasar-Neumann-Chor, Thomas Hengelbrock is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wachet auf, ruft uns die Stimme, BWV 140: No. 7, Gloria sei dir gesungen | Johann Sebastian Bach, Leipzig Thomaner Choir, Peter Schreier, Arleen Auger, Siegfried Lorenz, Hans-Joachim Rotzsch, Leipzig New Bach Collegium Musicum | B♭ Major | 0 | 6B | 69 BPM | ||
Adeste Fideles | John Francis Wade, Vienna Boys' Choir, Schubert Akademie, Gerald Wirth | G Major | 2 | 9B | 81 BPM | ||
Joy To The World | Les Miserables Co. (New York), The Wren Orchestra | D Major | 2 | 10B | 99 BPM | ||
Der Stern von Bethlehem, Op. 164: Expectation: Die Erde schweigt (Chorus) | Josef Rheinberger, Dorothe Jansen, Bernhard Spingler, Cologne Radio Chorus, Cologne Radio Orchestra, Helmut Froschauer | A Major | 2 | 11B | 81 BPM | ||
Magnificat (Chorus) | Carl Philipp Emanuel Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Durante: Messa a 5 voci: "Domine Fili unigenite" | Francesco Durante, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D♭ Major | 2 | 3B | 117 BPM | ||
Elias, Op. 70: Teil II: Stehe auf, Elias | Felix Mendelssohn, Thomas Hengelbrock | B♭ Major | 1 | 6B | 67 BPM | ||
Verleih uns Frieden gnädiglich | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | A♭ Major | 2 | 4B | 87 BPM | ||
Shchedryk (Epiphany Carol), "The Carol of the Bells" (Ukraine) | Mykola Dmytrovych Leontovych, Klaudia Zeiner, Anna Rad-Markowska, MDR Leipzig Radio Chorus, Philipp Ahmann | G Minor | 0 | 6A | 131 BPM | ||
Messiah - Part 1: "Behold, A Virgin Shall Conceive...O Thou That Tellest Good Tidings" | George Frideric Handel, Carolyn Watkinson, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 1 | 3B | 83 BPM |
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