"Je sens un deuxième cœur: V. Je sens un deuxième cœur qui bat tout près du mien" by Kaija Saariaho, Gloria Cheng, Jonathan Moerschel, Eric Byers, Calder Quartet was released on March 12, 2013. With this song being about 5 minutes long, at 4:47, "Je sens un deuxième cœur: V. Je sens un deuxième cœur qui bat tout près du mien" by Kaija Saariaho, Gloria Cheng, Jonathan Moerschel, Eric Byers, Calder Quartet is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "The Edge of Light: Messiaen, Saariaho". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. Je sens un deuxième cœur: V. Je sens un deuxième cœur qui bat tout près du mien is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Je sens un deuxième cœur: V. Je sens un deuxième cœur qui bat tout près du mien by Kaija Saariaho, Gloria Cheng, Jonathan Moerschel, Eric Byers, Calder Quartet having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Douze Notations Pour Piano (1945): Hiératique | Pierre Boulez, Pi-hsien Chen | G Major | 0 | 9B | 84 BPM | ||
Black Angels: II. Absence | George Crumb, Kronos Quartet | G Minor | 0 | 6A | 115 BPM | ||
Two Pieces for Cello and Piano (1899 Version, Ed. Piatigorsky): 1. Langsam - Live at Schloss Elmau, Krün / 2016 | Anton Webern, Mischa Maisky, Lily Maisky | G Major | 0 | 9B | 93 BPM | ||
Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello) | Paul Hindemith, Signum Saxophone Quartet, Hila Karni | B Minor | 0 | 10A | 70 BPM | ||
Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
L'Amour de loin: Cinquième acte. Premier tableau : Jardin de la Citadelle. Le Pèlerin : "Noble dame, je vous apporte une nouvelle" | Kaija Saariaho, Daniel Belcher, Marie-Ange Todorovitch, Deutsches Symphonie-Orchester Berlin, Kent Nagano | D Major | 2 | 10B | 139 BPM | ||
The Seasons: 9. Finale (Prelude I) | John Cage, Herbert Henck | E Minor | 0 | 9A | 0 BPM | ||
Three Latin Prayers for solo voice: Ave Maria for violoncello solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
Saegirarenai kyusoku (Uninterrupted Rest): III. A song of love | Toru Takemitsu, Kotaro Fukuma | G Major | 0 | 9B | 0 BPM | ||
Threni, Lamentations of Jeremiah: VI. De elegia quinta | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir, Elizabeth Atherton, Maria Ostroukhova, Sam Furness, Joel Williams, Theodore Platt | G Minor | 0 | 6A | 140 BPM |
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