Klavierstücke mit Überschriften nach Worten von Friedrich Hölderlin, Op. 25: VI. Wohl gehn Frühlinge fort, ein Jahr verdränget das andere - Josef Matthias Hauer, Herbert Henck Information

Acousticness: 100%
Danceability: 44%
Energy: 0%
Instrumentalness: 91%
Liveness: 10%
Loudness: 54%
Speechiness: 10%
Valence: 15%
Popularity: 0%
Loudness: -27.574 dB

Summary

"Klavierstücke mit Überschriften nach Worten von Friedrich Hölderlin, Op. 25: VI. Wohl gehn Frühlinge fort, ein Jahr verdränget das andere" by Josef Matthias Hauer, Herbert Henck had its release date on 1997. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Josef Matthias Hauer, Herbert Henck's "Hauer: Klavierwerke" album is number 19 out of 29. On top of that, Germany appears to be the country where this track was created. Klavierstücke mit Überschriften nach Worten von Friedrich Hölderlin, Op. 25: VI. Wohl gehn Frühlinge fort, ein Jahr verdränget das andere is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Klavierstücke mit Überschriften nach Worten von Friedrich Hölderlin, Op. 25: VI. Wohl gehn Frühlinge fort, ein Jahr verdränget das andere BPM

We consider the tempo marking of Klavierstücke mit Überschriften nach Worten von Friedrich Hölderlin, Op. 25: VI. Wohl gehn Frühlinge fort, ein Jahr verdränget das andere by Josef Matthias Hauer, Herbert Henck to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Klavierstücke mit Überschriften nach Worten von Friedrich Hölderlin, Op. 25: VI. Wohl gehn Frühlinge fort, ein Jahr verdränget das andere Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
On an Overgrown Path, JW VIII/17, Book 1: No. 2, A Blown-Away Leaf	Leoš Janáček, Lars Vogt	D♭ Major	0	3B	75 BPM
Sonata No. 1 in F Major for Cello and Piano, Op. 5, No. 1 : I. Adagio sostenuto	Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy	D Major	2	10B	182 BPM
Melody (Version for 2 Pianos)	Myroslav Skoryk, Myroslaw Skoryk, Roman Fediurko, Oleksandr Fediurko	E Major	2	12B	178 BPM
3 Preludes: No. 2, Con moto	Alexei Stanchinsky, Peter Jablonski	A♭ Minor	0	1A	62 BPM
The Four Temperaments for Piano and String Orchestra: Thema. Moderato	Paul Hindemith, Anna Gourari, Orchestra della Svizzera Italiana, Markus Poschner	D♭ Major	1	3B	74 BPM
Une Tabatiere a Musique, Op. 32 (Musical Snuffbox) - Welte-Mignon 780	Anatoly Lyadov, Hedwig Kirsch, Peter Phillips	F♯ Major	0	2B	70 BPM
Sandra's motif	Anton Strandh, Henrik Lindström	A Major	0	11B	66 BPM
Distant	Misya	B Minor	1	10A	100 BPM
Ballade, Op. 24 (Variations on a Norwegian Melody): Var. 1. Poco meno andante, ma molto tranquillo	Edvard Grieg, Andrey Gugnin	F♯ Major	0	2B	65 BPM
Suite No. 7, Op. 48: III. Allegro, alla marcia veloce	Josef Matthias Hauer, Vienna Radio Symphony Orchestra, Gottfried Rabl	F♯ Minor	1	11A	162 BPM

ISRC: DEC449602943
Label: L-M Records/RCA Records