"The Four Temperaments for Piano and String Orchestra: Thema. Moderato" by Paul Hindemith, Anna Gourari, Orchestra della Svizzera Italiana, Markus Poschner had its release date on June 14, 2024. This song is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Paul Hindemith – Alfred Schnittke". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. The Four Temperaments for Piano and String Orchestra: Thema. Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Four Temperaments for Piano and String Orchestra: Thema. Moderato by Paul Hindemith, Anna Gourari, Orchestra della Svizzera Italiana, Markus Poschner having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
3 Romances, Op. 22: 1. Andante molto | Clara Schumann, Janine Jansen, Antonio Pappano | D♭ Major | 1 | 3B | 74 BPM | ||
Ibert: Pièce pour flute seule | Jacques Ibert, Emmanuel Pahud | D♭ Major | 0 | 3B | 87 BPM | ||
Souvenir de Florence, Op. 70 | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Borodin Quartet, Genrikh Talalyan | D Minor | 2 | 7A | 171 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 33: I. Allegro | Nikolai Medtner, Neeme Järvi, London Philharmonic Orchestra, Geoffrey Tozer | G Major | 2 | 9B | 90 BPM | ||
Concerto for Woodwinds, Harp and Orchestra: II. Grazioso | Paul Hindemith, Stathis Karapanos, Jörg Widmann, Stephan Schweigert, Celine Moinet, Marie-Pierre Langlamet, Konzerthaus Berlin Chamber Orchestra, Sayako Kusaka | G Major | 0 | 9B | 113 BPM | ||
Violin Concerto No. 1 in D Major, Op. 19: III. Moderato. Allegro moderato | Sergei Prokofiev, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | F Major | 1 | 7B | 103 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
3 Romanzen, Op. 94: III. Nicht schnell | Robert Schumann, Céline Moinet, Florian Uhlig | D Major | 0 | 10B | 169 BPM | ||
Viola Concerto: I. Andante comodo | William Walton, Paul Hindemith, William Primrose, Sir Malcolm Sargent, Royal Philharmonic Orchestra | B♭ Major | 1 | 6B | 175 BPM |