Niccolò Paganini, Besses O' Th' Barn Band, Roy Newsome, Robert Childs, Nicholas Childs made "Moto Perpetuo, Op. 11, MS 72 (Arr. for Two Euphoniums and Brass Band)" available on August 1, 1992. The duration of Moto Perpetuo, Op. 11, MS 72 (Arr. for Two Euphoniums and Brass Band) is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Moto Perpetuo, Op. 11, MS 72 (Arr. for Two Euphoniums and Brass Band)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 15 in British Bandsman Centenary Concert by Roy Newsome, Major Peter Parkes, James Scott, Harry Mortimer, Besses O' Th' Barn Band, Black Dyke Mills Band, IMI Yorkshire Imperial Band. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Moto Perpetuo, Op. 11, MS 72 (Arr. for Two Euphoniums and Brass Band) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Moto Perpetuo, Op. 11, MS 72 (Arr. for Two Euphoniums and Brass Band) by Niccolò Paganini, Besses O' Th' Barn Band, Roy Newsome, Robert Childs, Nicholas Childs is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): I. Allegro moderato | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Triakontameron: No. 11, Alt-Wien (Arr. J. Heifetz for Violin & Piano) | Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick | E Minor | 1 | 9A | 86 BPM | ||
Grandes Etudes de Paganini, S.141: No.6 In A Minor | Franz Liszt, Daniil Trifonov | A Minor | 2 | 8A | 119 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
L'arte dell'arco, B. F11: Variazione No. 3 | Giuseppe Tartini, Alessandro Clerici | F Major | 3 | 7B | 125 BPM | ||
Violin Concerto No. 5 in A Minor, MS 78: II. Andante un poco sostenuto (Ed. M. Quarta) | Niccolò Paganini, Ivan Pochekin, Russian Philharmonic Orchestra, Dmitry Yablonsky | G Major | 2 | 9B | 131 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Guitar Quartet No. 6 in D Minor, Op. 5 No. 3, MS 33: I. Allegro | Niccolò Paganini, Paganini Ensemble Vienna | C Major | 3 | 8B | 144 BPM | ||
Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | E Major | 2 | 12B | 132 BPM |
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