"To The Opera!" by Renato Girolami, Nicolaus Esterhazy Sinfonia, Hungarian Radio Chorus, Janusz Monarcha, Regina Schorg, Michael Halász, Bo Skovhus was released on December 13, 2011. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Sherlock Holmes: A Game of Shadows (Original Motion Picture Soundtrack)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. To The Opera! is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With To The Opera! by Renato Girolami, Nicolaus Esterhazy Sinfonia, Hungarian Radio Chorus, Janusz Monarcha, Regina Schorg, Michael Halász, Bo Skovhus having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze di Figaro, K.492 - Original Version, Vienna 1786 / Act II: "Che novità!" - Live | Wolfgang Amadeus Mozart, Dorothea Röschmann, Bo Skovhus, Wiener Philharmoniker, Nikolaus Harnoncourt | C Major | 1 | 8B | 132 BPM | ||
The Borgias Main Title | Trevor Morris | F Major | 0 | 7B | 74 BPM | ||
Zombie Fight | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 9 | 8B | 150 BPM | ||
Knives Out!, Pt. II (The Will) | Nathan Johnson | G Major | 3 | 9B | 113 BPM | ||
Die lustige Witwe / Act III: "Aber dort bin ich zu Hause.." Lippen schweigen | Franz Lehár, Boje Skovhus, Cheryl Studer, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 72 BPM | ||
Verdi: Messa da Requiem: XIX. Libera me | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
Don Giovanni, K. 527, Act II: Finale II. Da qual tremore insolito | Wolfgang Amadeus Mozart, Scottish Chamber Orchestra, Sir Charles Mackerras, Scottish Chamber Orchestra Chorus, Bo Skovhus, Alessandro Corbelli | D Major | 5 | 10B | 84 BPM | ||
Perfume: The Story of a Murderer: Streets of Paris | Johnny Klimek, Reinhold Heil, Tom Tykwer, Berliner Philharmoniker, Sir Simon Rattle | C Major | 3 | 8B | 65 BPM | ||
Iorek's Armor | Lorne Balfe | C Major | 2 | 8B | 73 BPM | ||
The Showdown | Carter Burwell | G Major | 1 | 9B | 78 BPM |
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