Adolfo Torrado, Serafín Adame, Fernando Díaz Giles, Marcos Redondo's 'El Cantante Enmascarado: Brindis - Remastered' came out on March 31, 2014. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 34 in El Divo by Marcos Redondo. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. El Cantante Enmascarado: Brindis - Remastered is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of El Cantante Enmascarado: Brindis - Remastered by Adolfo Torrado, Serafín Adame, Fernando Díaz Giles, Marcos Redondo is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rondalla | Tuna de la Facultad de Derecho de Madrid | A Minor | 4 | 8A | 85 BPM | ||
No Cortes Más Que una Rosa (Romanza de Ascension) | Anselmo Carreno, Pablo Sorozábal, Pilar Lorengar, Enriqueta Serrano, Renato Cesari, Francisco Maroto, Enrique Fuentes, José Marín, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid | E Major | 6 | 12B | 154 BPM | ||
Luisa Fernanda, Acto iii: El cerandero | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | D Major | 1 | 10B | 111 BPM | ||
'La Tarántula', De La Tempranica | Victoria de los Ángeles | C Major | 3 | 8B | 75 BPM | ||
Kontrapas | Tolosako Banda Munizipala | B♭ Major | 4 | 6B | 120 BPM | ||
Sevillanas N.1 | Antonio Pozo "El Mochuelo" | F Major | 2 | 7B | 130 BPM | ||
Las Golondrinas, Escena final, I parte: "¡Era mío!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
La del soto del parral: Ronda de enamorados | Reveriano Soutullo, Juan Vert, Madrid Community Chorus, Madrid Community Orchestra, Miguel Roa | D Major | 0 | 10B | 73 BPM | ||
Folias (Gran Canaria) | Clave de Folk | B Minor | 3 | 10A | 96 BPM | ||
La Rosa del Azafrán: Dúo: "Ama, Lo Que Usted Me Pide" | Jacinto Guerrero, Nicasio Tejada | E Major | 9 | 12B | 89 BPM |
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