Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé's 'Veni creator, S. 14: Gloria Patri Domino' came out on February 4, 2022. The duration of Veni creator, S. 14: Gloria Patri Domino is about 3 minutes long, at 3:01. Based on our data, "Veni creator, S. 14: Gloria Patri Domino" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé's "Michel-Richard de Lalande: Grands Motets, Dies irae, Miserere, Veni creator" album is number 37 out of 38. On top of that, France appears to be the country where this track was created. Veni creator, S. 14: Gloria Patri Domino is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Veni creator, S. 14: Gloria Patri Domino by Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Symphonies pour les soupers du roy / Quatrième Suitte: Simphonie du Te Deum | Michel Richard Delalande, Orchestre de Chambre Paul Kuentz, Paul Kuentz | D Major | 3 | 10B | 137 BPM | ||
Missa Sancti Pauli: No. 5, Et in terra pax | Francesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | G Major | 3 | 9B | 120 BPM | ||
King Arthur, Z. 628, Act V: Fairest Isle | Henry Purcell, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | A Major | 0 | 11B | 76 BPM | ||
Actéon, H. 481, Scene I: Allons, marchons, courons | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | D♭ Major | 4 | 3B | 152 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Anime avventurose" - "Torna o bella" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Deitatis Majestatem: VIII. O bonitatis prodigium | Michel Richard Delalande, Le Poème Harmonique, Ensemble Aedes, Vincent Dumestre, Emmanuelle De Negri, Sean Clayton, Cyril Auvity, André Morsch | C Minor | 1 | 5A | 80 BPM | ||
Concerto in C Minor, Op. 6 No. 3: III. Grave | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | B♭ Minor | 2 | 3A | 70 BPM | ||
Suite in G Minor: IV. Muzette | Michel Richard Delalande, Vincent Dumestre, Le Poème Harmonique | F Minor | 2 | 4A | 87 BPM | ||
Dixit Dominus, ZWV 66: Virgam virtutis tuae - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | D Minor | 1 | 7A | 66 BPM |
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