"Sonata for Flute, Viola and Harp: III. Final" by Claude Debussy, Wilhelm Schwegler, Fritz Ruf, Helga Storck was released on January 1, 1992. With this song being about 5 minutes long, at 4:52, "Sonata for Flute, Viola and Harp: III. Final" by Claude Debussy, Wilhelm Schwegler, Fritz Ruf, Helga Storck is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 10 in Dittersdorf, Ravel & Others: Works for Harp by Helga Storck. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Sonata for Flute, Viola and Harp: III. Final's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata for Flute, Viola and Harp: III. Final by Claude Debussy, Wilhelm Schwegler, Fritz Ruf, Helga Storck is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salut d'amour, Op. 12 | Edward Elgar, Péter Nagy | A Minor | 2 | 8A | 63 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
13 Preludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Prelude in G Major | Víkingur Ólafsson | G Major | 0 | 9B | 102 BPM | ||
Masquerade (Suite): 1. Waltz - Excerpt | Aram Khachaturian, London Symphony Orchestra, Stanley Black | C Major | 3 | 8B | 67 BPM | ||
Suite Bergamasque, L. 75: Passepied | Claude Debussy, Martin Jones | F♯ Minor | 0 | 11A | 90 BPM | ||
The Hours: An Unwelcome Friend (From "The Hours") | Philip Glass, Nicolas Horvath | G Minor | 0 | 6A | 74 BPM | ||
Nocturne No. 2 in E-Flat Major, Op. 9 No. 2 | Frédéric Chopin, Daniel Barenboim | E♭ Major | 0 | 5B | 79 BPM | ||
Debussy - Claire De Lune | Martin Bloch | D♭ Major | 0 | 3B | 74 BPM |
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