"Symphony No. 2 in C Minor, Op. 17, TH 25 "Little Russian": IV. Finale. Moderato assai - Allegro vivo" by Pyotr Ilyich Tchaikovsky, Mikhail Pletnev, Russian National Orchestra was released on June 1, 2012. Since Symphony No. 2 in C Minor, Op. 17, TH 25 "Little Russian": IV. Finale. Moderato assai - Allegro vivo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Tchaikovsky: Symphony No. 2". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Symphony No. 2 in C Minor, Op. 17, TH 25 "Little Russian": IV. Finale. Moderato assai - Allegro vivo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 2 in C Minor, Op. 17, TH 25 "Little Russian": IV. Finale. Moderato assai - Allegro vivo by Pyotr Ilyich Tchaikovsky, Mikhail Pletnev, Russian National Orchestra having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L’arlésienne Suite No. 2 (Arr. E. Guiraud): I. Pastorale | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A Major | 0 | 11B | 117 BPM | ||
Francesca da Rimini, Op. 25: Scene II: Moderato | Sergei Rachmaninoff, Mariana Zvetkova, Boiko Zvetanov, Peter Naydenov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Nayden Todorov | E♭ Major | 1 | 5B | 91 BPM | ||
6 Sonatas for Violin Solo, Op. 27: Sonata No. 3 in D Minor "Ballade" | Eugène Ysaÿe, Hilary Hahn | G Minor | 2 | 6A | 108 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Double Bass Concerto, Op. 3: III. Allegro | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | F♯ Minor | 2 | 11A | 69 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): III. Allegro con fuoco - Allegro moderato (à la Zingara) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | D Major | 2 | 10B | 74 BPM | ||
Daphnis et Chloé, M. 57 / Troisième partie: Danse générale | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Minor | 4 | 12A | 173 BPM | ||
The Rite of Spring, Part 2: I. The Sacrifice | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | D Minor | 0 | 7A | 75 BPM | ||
Symphony No. 6 In B Minor, Op. 74, TH.30: 3. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, Czech Philharmonic Orchestra, Semyon Bychkov | G Major | 3 | 9B | 78 BPM |
Section: 0.7097916603088379
End: 0.7164406776428223