Franco Corelli's 'Torna a Surriento' came out on March 3, 1956. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franco Corelli's "L'incredibile Franco Corelli" album is number 13 out of 38. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Torna a Surriento's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Torna a Surriento by Franco Corelli to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen: Act III: Je dis que rien ne m'épouvante | Georges Bizet, Mirella Freni, Leontyne Price, Franco Corelli, Robert Merrill, Monique Linval, Geneviève Macaux, Jean Christophe Benoit, Maurice Besancon, Frank Schooten, Bernard Demigny, Herbert von Karajan | E♭ Major | 1 | 5B | 79 BPM | ||
Pecche | Franco Corelli | F♯ Major | 2 | 2B | 97 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | A♭ Major | 2 | 4B | 79 BPM | ||
Carmen: Act I: C'est bien là | Georges Bizet, Franco Corelli, Frank Schooten, Herbert von Karajan | D♭ Major | 1 | 3B | 112 BPM | ||
La fille du régiment / Act 1: Au bruit de la guerre | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 120 BPM | ||
In questa tomba oscura, WoO.133 | Ludwig van Beethoven, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D♭ Major | 1 | 3B | 88 BPM | ||
Carmen / Act 1: Que chercez-vous, la belle? | Georges Bizet, Katia Ricciarelli, Mikael Melbye, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E♭ Major | 0 | 5B | 84 BPM | ||
Messa Solenne: Domine Dei | Franco Corelli | F Major | 2 | 7B | 89 BPM | ||
Marechiare | Francesco Paolo Tosti, José Carreras, English Chamber Orchestra, Edoardo Muller | D Major | 2 | 10B | 129 BPM |
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