Via Crucis, S53/R534: Station III: Jesus fallt zum ersten Mal - Franz Liszt, Dorothee Labusch, Furio Zanasi, Ulrich Rausch, Diego Fasolis, Radio Svizzera Choir, Lugano Information

Acousticness: 99%
Danceability: 12%
Energy: 4%
Instrumentalness: 0%
Liveness: 10%
Loudness: 59%
Speechiness: 5%
Valence: 3%
Popularity: 1%
Loudness: -24.551 dB

Summary

"Via Crucis, S53/R534: Station III: Jesus fallt zum ersten Mal" by Franz Liszt, Dorothee Labusch, Furio Zanasi, Ulrich Rausch, Diego Fasolis, Radio Svizzera Choir, Lugano was released on May 20, 1997. With Via Crucis, S53/R534: Station III: Jesus fallt zum ersten Mal being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Franz Liszt's "Liszt: Sacred Choral Music" album is number 7 out of 19. On top of that, Hong Kong appears to be the country where this track was created. Via Crucis, S53/R534: Station III: Jesus fallt zum ersten Mal is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Via Crucis, S53/R534: Station III: Jesus fallt zum ersten Mal BPM

We consider the tempo marking of Via Crucis, S53/R534: Station III: Jesus fallt zum ersten Mal by Franz Liszt, Dorothee Labusch, Furio Zanasi, Ulrich Rausch, Diego Fasolis, Radio Svizzera Choir, Lugano to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Via Crucis, S53/R534: Station III: Jesus fallt zum ersten Mal Key

A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Jeux d'enfants, Op. 22 WD 56: 3. La poupée	Georges Bizet, Katia Labèque, Marielle Labèque	B Major	0	1B	64 BPM
The Seasons, Op. 37b: VI. June, "Barcarolle"	Pyotr Ilyich Tchaikovsky, Yefim Bronfman	G Minor	0	6A	87 BPM
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato	Bedřich Smetana, Jitka Čechová	A Minor	0	8A	66 BPM
Nocturne No. 1 in E-Flat Major	John Field, Benjamin Frith	E♭ Major	0	5B	73 BPM
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major	Johannes Brahms, Idil Biret	A♭ Minor	3	1A	111 BPM
Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato	Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis	C Minor	1	5A	55 BPM
6 Melodies, Op. 4: No. 2. Melodie in C-Sharp Minor	Fanny Mendelssohn, Betty Ann Miller	D♭ Minor	0	12A	67 BPM
6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10	Johannes Brahms, Ferruccio Busoni, Igor Levit	A Minor	0	8A	84 BPM
Prélude, fugue et variation in B Minor, Op. 18, FWV 30 (Arr. H. Bauer for Piano): II. Lento	César Franck, Jean-Pierre Armengaud	F♯ Major	0	2B	112 BPM
Nocturne in B Major, Op. 22	Charles-Valentin Alkan, Pascal Amoyel	B Major	0	1B	67 BPM

ISRC: HKI199604507
Label: L-M Records/RCA Records

Section: 0.7590146064758301

End: 0.7630863189697266