Georges Bizet, Teresa Berganza, Alicia Nafé, Yvonne Kenny, London Symphony Orchestra, Claudio Abbado's 'Carmen, WD 31 / Act II: "Les tringles des sistres tintaient"' came out on January 1, 2000. With this song being about 5 minutes long, at 5:09, "Carmen, WD 31 / Act II: "Les tringles des sistres tintaient"" by Georges Bizet, Teresa Berganza, Alicia Nafé, Yvonne Kenny, London Symphony Orchestra, Claudio Abbado is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 29 in Bizet: Carmen; L'Arlésienne; Symphony No.1 by Georges Bizet, London Symphony Orchestra, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Carmen, WD 31 / Act II: "Les tringles des sistres tintaient"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen, WD 31 / Act II: "Les tringles des sistres tintaient" by Georges Bizet, Teresa Berganza, Alicia Nafé, Yvonne Kenny, London Symphony Orchestra, Claudio Abbado is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Madrigal | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 0 | 11B | 82 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Oboe Concerto in C Major, K. 314: III. Rondo (Allegretto) - Cadenza: Randall Wolfgang | Wolfgang Amadeus Mozart, Randall Wolfgang, Orpheus Chamber Orchestra | C Major | 1 | 8B | 118 BPM | ||
Carmen, Act I: No.3 bis Récit: C'est bien là, n'est-ce pas? (Zuniga/Don José) | Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 1 | 9B | 84 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Le docteur Miracle: Scene 5: Venez ici Veronique (Le Podestat, Veronique, Laurette, Pasquin) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | C Minor | 1 | 5A | 135 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Cello Concerto in D Minor, RV 407: I. Allegro | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | D Minor | 1 | 7A | 116 BPM | ||
Lohengrin, WWV 75: Prelude To Act III | Richard Wagner, Wiener Philharmoniker, Karl Böhm | G Major | 3 | 9B | 120 BPM |
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