"Children's Corner (arr. L. Pulakka): V. The Little Shepherd)" by Lauri Pulakka, Claude Debussy, Ostrobothnian Chamber Orchestra was released on July 1, 2013. The duration of Children's Corner (arr. L. Pulakka): V. The Little Shepherd) is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Children's Corner (arr. L. Pulakka): V. The Little Shepherd)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lauri Pulakka's "Leikkikalu Satakieli" album is number 11 out of 17. On top of that, Finland appears to be the country where this track was created. Children's Corner (arr. L. Pulakka): V. The Little Shepherd) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Children's Corner (arr. L. Pulakka): V. The Little Shepherd) by Lauri Pulakka, Claude Debussy, Ostrobothnian Chamber Orchestra to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hosanna to the Highest, Z. 187 | Henry Purcell, Päivi Järviö, Eero Palviainen, Lauri Pulakka, Annamari Polho | E Major | 1 | 12B | 96 BPM | ||
Canzon Francese del Principe | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Concerto Armonico I: II. Allegro | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 3 | 3B | 115 BPM | ||
Passacaglia | Johann Sebastian Bach, Clément Geoffroy, Loris Barrucand | D♭ Minor | 5 | 12A | 95 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: III. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sonata da camera in C Major, Op. 2 No. 3: III. Adagio | Arcangelo Corelli, The Avison Ensemble, Pavlo Beznosiuk | B♭ Major | 1 | 6B | 73 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: V. Flaterie | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | F♯ Major | 1 | 2B | 73 BPM | ||
弦楽のための組曲: 第4楽章: Dashing away/アイロンをかけまくる | John Rutter, 石田泰尚, 石田組 | A Minor | 2 | 8A | 79 BPM | ||
Mystery (Rosary) Sonata: No. 3 in B Minor “The Nativity”: III. Adagio | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM |
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