"Sonata da camera in C Major, Op. 2 No. 3: III. Adagio" by Arcangelo Corelli, The Avison Ensemble, Pavlo Beznosiuk was released on September 9, 2013. With Sonata da camera in C Major, Op. 2 No. 3: III. Adagio being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 85 in Corelli: Chamber Sonatas, Opus 2 & 4 by Arcangelo Corelli, The Avison Ensemble, Pavlo Beznosiuk. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Sonata da camera in C Major, Op. 2 No. 3: III. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata da camera in C Major, Op. 2 No. 3: III. Adagio by Arcangelo Corelli, The Avison Ensemble, Pavlo Beznosiuk is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso No. 2 in G Major (after D. Scarlatti): I. Largo | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | F♯ Major | 1 | 2B | 87 BPM | ||
Concerto grosso in C, Op. 6, No. 10 - Rev. by Vittorio Negri (1923 - ): 3. Adagio | Arcangelo Corelli, Felix Ayo, Arnaldo Apostoli, Enzo Altobelli, Maria Teresa Garatti, Marijke Smit Sibinga, I Musici | A Minor | 0 | 8A | 79 BPM | ||
Chamber Sonata No. 3 in D Major: II. Vivace e presto - Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | A Minor | 1 | 8A | 89 BPM | ||
I - Grave from: Concerto No. 1 in f minor | Accademia Bizantina | E Minor | 1 | 9A | 108 BPM | ||
Neubrandenburg Concerto No. 3: I. Allegro (Transcr. By Harer, after Bach's Sonata for Viola da Gamba and Harpsichord, BWV 1029) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 2 | 11A | 168 BPM | ||
Telemann: Der getreue Music-Meister, No. 36, Basson Sonata in F Minor, TWV 41:f1: I. Triste | Georg Philipp Telemann, Ton Koopman, Marc Vallon, Jaap Ter Linden | D♭ Major | 2 | 3B | 117 BPM | ||
Ouverture for Strings & Continuo in A Major: V. Rondeau - Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Major | 3 | 12B | 200 BPM | ||
Sinfonia No. 7 in G Minor, RosS 533.7: I. Moderato | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 1 | 11A | 101 BPM | ||
Concerto in A Minor for 3 Violins, Viola and Basso Continuo: II. Allegro | Nicola Fiorenza, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Concerto Grosso No. 2 in G Major (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 2 | 3B | 114 BPM |
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