"Act II: Magiche note (La Regina de Saba)" by Karl Goldmark, Enrico Caruso, Walter B. Rogers was released on 1990. The duration of Act II: Magiche note (La Regina de Saba) is about 3 minutes long, at 3:04. Based on our data, "Act II: Magiche note (La Regina de Saba)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Act II: Magiche note (La Regina de Saba) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Act II: Magiche note (La Regina de Saba) by Karl Goldmark, Enrico Caruso, Walter B. Rogers is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Königin von Saba, Op. 27, Act I: Act I Scene 7: Dieses Auge, diese Züge (All) | Karl Goldmark, Katerina Hebelková, Nuttaporn Thammathi, Irma Mihelič, Károly Szemerédy, Kim-Lillian Strebel, Jin Seok Lee, Kevin Moreno, Andrei Yvan, Extrachor des Theater Freiburg, Vokalensemble der Hochschule für Musik Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon | E Major | 2 | 12B | 84 BPM | ||
Symphony No. 1 in E Major: I. Alla breve | Hans Rott, Bamberg Symphony, Jakub Hrůša | F Major | 1 | 7B | 89 BPM | ||
Symphony in C Major, Op. 46: III. Presto | Seattle Symphony Orchestra, Hans Pfitzner, Gerard Schwarz | G Major | 1 | 9B | 87 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
24 Préludes, Op. 28: No. 20 in C Minor (Arr. Franchomme for 4 Cellos) | Frédéric Chopin, Camille Thomas, Wolfgang Emanuel Schmidt, Jaemin Han, Frans Helmerson | A♭ Major | 0 | 4B | 88 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 38 "Spring": III. Scherzo. Molto vivace - Trio I & Trio II. Molto più vivace | Robert Schumann, Dresdner Philharmonie, Marek Janowski | E Major | 2 | 12B | 97 BPM | ||
Two Melodies op.53: 2. The First Meeting: Lento | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 2 | 10B | 67 BPM | ||
Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | ||
Concerto for Piano and Orchestra No. 2 in C minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko, Kirill Gerstein | C Minor | 1 | 5A | 109 BPM | ||
4 Dance Episodes from Rodeo: No. 2, Corral Nocturne | Aaron Copland, Louis Lane, Atlanta Symphony Orchestra | D♭ Minor | 1 | 12A | 164 BPM |
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