"J. S. Bach: Matthäus-Passion/Zweiter Teil/Sie hielten aber einen Rat (Evangelist/Pilatus/Jesus)" by Gewandhausorchester Leipzig, Peter Schreier, Rudolf Mauersberger, Hermann Christian Polster, Theo Adam, Erhard Mauersberger was released on 1975. The duration of J. S. Bach: Matthäus-Passion/Zweiter Teil/Sie hielten aber einen Rat (Evangelist/Pilatus/Jesus) is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. J. S. Bach: Matthäus-Passion/Zweiter Teil/Sie hielten aber einen Rat (Evangelist/Pilatus/Jesus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gewandhausorchester Leipzig's "Johann Sebastian Bach: Matthäus-Passion" album is number 43 out of 68. The popularity of J. S. Bach: Matthäus-Passion/Zweiter Teil/Sie hielten aber einen Rat (Evangelist/Pilatus/Jesus) is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of J. S. Bach: Matthäus-Passion/Zweiter Teil/Sie hielten aber einen Rat (Evangelist/Pilatus/Jesus) by Gewandhausorchester Leipzig, Peter Schreier, Rudolf Mauersberger, Hermann Christian Polster, Theo Adam, Erhard Mauersberger to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | ||
12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell'inventione" / Concerto No. 4 in F Minor for solo violin, RV297 "L'Inverno": 2. Largo | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | F Minor | 2 | 4A | 99 BPM | ||
Cello Concerto No. 1 in C Major, Hob.VIIb:1: III. Allegro molto | Joseph Haydn, Steven Isserlis, Sir Roger Norrington | B Minor | 4 | 10A | 119 BPM | ||
Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, David Fray, Audrey Vigoureux, Emmanuel Christien, Jacques Rouvier, Orchestre National Du Capitole De Toulouse | A Minor | 3 | 8A | 108 BPM | ||
Prelude, Fugue And Allegro In E Flat Major, BWV 998 : Prelude, Fugue And Allegro In E Flat Major, BWV 998 | Janos Sebestyen, Johann Sebastian Bach | E♭ Major | 2 | 5B | 135 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM | ||
Concerto in G minor, after unknown, BWV 983: Adagio | Ivo Janssen | G Minor | 0 | 6A | 72 BPM |
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