"Wanderers Nachtlied, Op. 25 No. 2" by Moritz Hauptmann, Amadeus Choir, Nicol Matt was released on February 5, 2021. The duration of Wanderers Nachtlied, Op. 25 No. 2 is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Wanderers Nachtlied, Op. 25 No. 2's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 22 in For Evening is Coming: Songs of the German Romanticism by Amadeus Choir, Nicol Matt, Benedikt Haag. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Wanderers Nachtlied, Op. 25 No. 2 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wanderers Nachtlied, Op. 25 No. 2 by Moritz Hauptmann, Amadeus Choir, Nicol Matt is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sov sødt, barnlille | Thomas Laub, Det kongelige danske Musikkonservatoriums Børnekor, Margrete Enevold | E Minor | 1 | 9A | 98 BPM | ||
Hymnen, Op. 140: Nr. 1 Tribulationes | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | F Major | 1 | 7B | 133 BPM | ||
Lord, Grant Me Mercy | Choir of the New Apostolic Church, Cape Town | D Major | 1 | 10B | 129 BPM | ||
Israel in Egypt, HWV 54, Pt 3. "Moses' Song": IX. Who is like unto thee (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | B Major | 4 | 1B | 110 BPM | ||
Now May He Who from the Dead | The Coventry Singers | C Major | 3 | 8B | 117 BPM | ||
4 Motets pour un temps de pénitence, FP 97: No. 1, Timor et tremor | Francis Poulenc, The Choir Of Trinity College, Cambridge, Stephen Layton | G Minor | 1 | 6A | 75 BPM | ||
Mit Fried und Freud ich fahr dahin, WoO VI/17, No. 8 | Max Reger, Huelgas Ensemble, Paul Van Nevel | C Major | 0 | 8B | 82 BPM | ||
Wanderers Nachtlied, Op. 25 No. 2 | Moritz Hauptmann, Amadeus Choir, Nicol Matt | F Major | 1 | 7B | 72 BPM | ||
Romanzen, Book 1, Op. 69: No. 5. Meerfey | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Tantum ergo, WAB 32 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM |
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