"The Art Of Fugue, BWV 1080: Contrapunctus 12 inversus" by Johann Sebastian Bach, Daniil Trifonov was released on February 11, 2022. The duration of The Art Of Fugue, BWV 1080: Contrapunctus 12 inversus is about 3 minutes long, at 3:15. Based on our data, "The Art Of Fugue, BWV 1080: Contrapunctus 12 inversus" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 49 out of 58 in BACH: The Art of Life (Encore Edition) by Daniil Trifonov, Johann Christoph Friedrich Bach, Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, The Art Of Fugue, BWV 1080: Contrapunctus 12 inversus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Art Of Fugue, BWV 1080: Contrapunctus 12 inversus by Johann Sebastian Bach, Daniil Trifonov is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pour bercer un convalescent for Two Pianos: III. Andantino espressivo | Reynaldo Hahn, Tal & Groethuysen | A Major | 0 | 11B | 56 BPM | ||
Serenade for Wind Instruments, Op. 44, B. 77 (Excerpts Arr. P. Breiner for Piano): II. Tempo di minuet | Antonín Dvořák, Peter Breiner | G Minor | 0 | 6A | 70 BPM | ||
Capriccio in B Minor, Op. 76, No. 2 | Johannes Brahms, Arcadi Volodos | B Major | 1 | 1B | 84 BPM | ||
Suite No. 2 in F Major, HWV 427: III. Adagio | George Frideric Handel, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
24 Preludes, Op. 11: No. 13 in G-Flat Major | Alexander Scriabin, Evgeny Zarafiants | F♯ Major | 0 | 2B | 136 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
6 Piano Variations in F Major, Op. 34: Variation IV. Tempo di menuetto in E Major | Ludwig van Beethoven, Mikhail Pletnev | B♭ Major | 1 | 6B | 101 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
The Art Of Fugue, BWV 1080: Canon in Hypodiapason (Canon alla Ottava) | Johann Sebastian Bach, Daniil Trifonov | D Minor | 2 | 7A | 85 BPM |
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