George Frideric Handel, The English Concert, Trevor Pinnock made "Trio Sonata for 2 Violins and Continuo in G Minor, Op. 5, No. 4, HWV 399: III. Passacaille" available on January 1, 1997. With this song being about 5 minutes long, at 4:31, "Trio Sonata for 2 Violins and Continuo in G Minor, Op. 5, No. 4, HWV 399: III. Passacaille" by George Frideric Handel, The English Concert, Trevor Pinnock is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, The English Concert, Trevor Pinnock's "Handel: Music for the Royal Fireworks (Original Version 1749)" album is number 12 out of 19. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Trio Sonata for 2 Violins and Continuo in G Minor, Op. 5, No. 4, HWV 399: III. Passacaille's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Trio Sonata for 2 Violins and Continuo in G Minor, Op. 5, No. 4, HWV 399: III. Passacaille by George Frideric Handel, The English Concert, Trevor Pinnock to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: VII. Allegro Assai | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Major | 1 | 4B | 82 BPM | ||
Concerto in D Minor for Oboe, Strings and Continuo: II. Adagio | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea Mion | D♭ Minor | 1 | 12A | 68 BPM | ||
Concerto Grosso No. 3 in F Major: II. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 138 BPM | ||
Mozart: Divertimento in D Major, K. 136 "Salzburg Symphony No. 1": II. Andante | Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman | B Minor | 1 | 10A | 105 BPM | ||
La gloria di primavera, Pt. 1: Part I: Sinfonia | Alessandro Scarlatti, Philharmonia Baroque Orchestra, Nicholas McGegan | A♭ Major | 1 | 4B | 108 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM | ||
Dardanus: Tambourins I-II | Jean-Philippe Rameau, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Major | 2 | 3B | 123 BPM | ||
Oboe Concerto in C Major on Themes of Pergolesi: IV. Allegro | Anthony Camden, City of London Sinfonia, Nicholas Ward | G Major | 1 | 9B | 124 BPM | ||
Cello Concerto in A Minor, Wq.170: III. Allegro assai | Carl Philipp Emanuel Bach, Jean-Guihen Queyras, Ensemble Resonanz, Riccardo Minasi | A Minor | 2 | 8A | 86 BPM | ||
Concerti a cinque Op. 9 for oboe and strings (2001 Digital Remaster), Concerto No. 2 in D minor: III. Allegro | Tomaso Albinoni, Han De Vries, Alma Musica Amsterdam, Bob van Asperen, Wouter Möller | D♭ Minor | 3 | 12A | 99 BPM |
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