Nicol Matt, Jörg Halobek, Robert Sagasser, Johann Sebastian Bach, Nordic Chamber Choir, Soloists Of The Freiburger Barockorchester, Ute Petersilge, Martina Rotbauer, Heike Hümmer, Jens Wollenschläger made "Ich Hab' Mein' Sach' Gott Heimgestellt Bwv 351" available on March 28, 2007. With Ich Hab' Mein' Sach' Gott Heimgestellt Bwv 351 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 39 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Ich Hab' Mein' Sach' Gott Heimgestellt Bwv 351's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Ich Hab' Mein' Sach' Gott Heimgestellt Bwv 351 by Nicol Matt, Jörg Halobek, Robert Sagasser, Johann Sebastian Bach, Nordic Chamber Choir, Soloists Of The Freiburger Barockorchester, Ute Petersilge, Martina Rotbauer, Heike Hümmer, Jens Wollenschläger is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Messa Delli Apostoli: Kyrye V | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Mache dich, mein Geist, bereit, BWV 115: No. 6, Straf mich nicht in deinem Zorn | Johann Sebastian Bach, Chamber Choir Of Europe, Nicol Matt | A♭ Minor | 2 | 1A | 83 BPM | ||
Te Deum: I. Te Deum laudamus | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Missa Quadragesimalis, MH 552: Dona nobis pacem | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Major | 2 | 12B | 129 BPM | ||
L'Allegro, il Penseroso ed il Moderato, HWV 55, Part I: Chorus. Join with thee calm peace, and quiet | George Frideric Handel, Les Arts Florissants, William Christie | E Minor | 1 | 9A | 86 BPM | ||
Miserere in C minor: Misere III | Thomas Hengelbrock | B Minor | 2 | 10A | 65 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Sonata a cinque in D Major, (G. 7): III. Allegro | Giuseppe Torelli, Thomas Hammes, European Chamber Soloists, Nicol Matt | D Major | 3 | 10B | 104 BPM | ||
Concerto grosso No. 4 in A Minor, Op. 6/4, HWV 322: III. Largo, e piano | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Minor | 4 | 1A | 75 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | D♭ Major | 0 | 3B | 180 BPM |
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