Manuel de Falla, Mahler Chamber Orchestra, Pablo Heras-Casado made "El Amor brujo: El aparecido - Danza del terror (Ballet version)" available on September 20, 2019. The duration of El Amor brujo: El aparecido - Danza del terror (Ballet version) is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. El Amor brujo: El aparecido - Danza del terror (Ballet version)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 17 in Falla: El sombrero de tres picos by Manuel de Falla, Pablo Heras-Casado, Mahler Chamber Orchestra. Based on our statistics, El Amor brujo: El aparecido - Danza del terror (Ballet version)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of El Amor brujo: El aparecido - Danza del terror (Ballet version) by Manuel de Falla, Mahler Chamber Orchestra, Pablo Heras-Casado is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 1, Allegro moderato | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | B♭ Major | 1 | 6B | 107 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Concerto for Cello & Wind Band: II. Idylle | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | B♭ Major | 0 | 6B | 80 BPM | ||
Schwanengesang, S. 560: VII. Ständchen (2nd Version, After Schubert D. 957/4) | Franz Liszt, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
Fantasía para un gentilhombre for Guitar and Small Orchestra: I. Villano y ricercare (Adagietto - Andante moderato) - Version 1977 | Joaquín Rodrigo, Narciso Yepes, English Chamber Orchestra, Luis Antonio García Navarro | A Major | 1 | 11B | 107 BPM | ||
7 Canciones populares españolas (arr. P. Kochanski): No. 6. Cancion | Paul Kochanski, Manuel de Falla, Jesus Angel Leon, Miguel Angel Muñoz | G Major | 1 | 9B | 68 BPM | ||
5 Songs from the Norwegian: No. 5. Sunset (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | F♯ Major | 0 | 2B | 69 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM |
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