Arrigo Boito, Riccardo Muti's 'Mefistofele: Act II - Danza di Streghe (Witches' Dance)' came out on 1996. The duration of Mefistofele: Act II - Danza di Streghe (Witches' Dance) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Mefistofele: Act II - Danza di Streghe (Witches' Dance)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 34 in Boito: Mefistofele by Arrigo Boito, Riccardo Muti. The popularity of Mefistofele: Act II - Danza di Streghe (Witches' Dance) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mefistofele: Act II - Danza di Streghe (Witches' Dance) by Arrigo Boito, Riccardo Muti is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Giovanni, K. 527, Act II: Aria: Il mio tesoro intanto | Wolfgang Amadeus Mozart, Michael Spyres, Moscow Chamber Orchestra, Constantine Orbelian | F Major | 1 | 7B | 100 BPM | ||
3. For the merriest fellows are we | Arthur Sullivan, Michael Wakeham, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 1 | 8B | 88 BPM | ||
L'elisir d'amore / Act 2: "Io già m'immagino" - "Come sen va contento!" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, Spiro Malas, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | F Major | 3 | 7B | 138 BPM | ||
Don Gil de Alcalá: Juntos en Este Jardín (Romanza de Don Gil) - Remastered | Manuel Penella, Marcos Redondo | F♯ Major | 2 | 2B | 69 BPM | ||
Lehár: Giuditta: "In einem Meer von Liebe" (Giuditta, Chor) | Franz Lehár, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner, Ambrosian Opera Chorus | E Major | 3 | 12B | 118 BPM | ||
Pagliacci / Act 1: "Un tal gioco, credetemi" | Ruggero Leoncavallo, Luciano Pavarotti, Daniela Dessi, Westminster Symphonic Choir, Philadelphia Boys Choir, Philadelphia Orchestra, Riccardo Muti | F Major | 2 | 7B | 175 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
L'elisir d'amore / Act I: "Lallarallara" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | A♭ Major | 1 | 4B | 90 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 96 BPM | ||
I Puritani / Act 1: Ah! per sempre io ti perdei | Vincenzo Bellini, Piero Cappuccilli, Renato Cazzaniga, London Symphony Orchestra, Richard Bonynge | G Major | 2 | 9B | 74 BPM |
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