Richard Strauss, Berliner Philharmoniker, Gustavo Dudamel made "Also sprach Zarathustra, Op. 30, TrV 176: Prelude (Sonnenaufgang) - Live" available on January 1, 2013. With Also sprach Zarathustra, Op. 30, TrV 176: Prelude (Sonnenaufgang) - Live being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Strauss, R.: Also sprach Zarathustra". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Also sprach Zarathustra, Op. 30, TrV 176: Prelude (Sonnenaufgang) - Live is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Also sprach Zarathustra, Op. 30, TrV 176: Prelude (Sonnenaufgang) - Live by Richard Strauss, Berliner Philharmoniker, Gustavo Dudamel having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Introduction | Igor Stravinsky, Teodor Currentzis, musicAeterna | B Minor | 0 | 10A | 87 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Elektra: Xiii. Orest! Orest ist tod! | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Anita Soldh, Royal Swedish Opera Orchestra, Siegfried Köhler | E♭ Major | 3 | 5B | 81 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo - Adagio | Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi | D♭ Major | 0 | 3B | 69 BPM | ||
Der Rosenkavalier op. 59: Muß jetzt partout zu ihr! | Richard Strauss, Metropolitan Opera Orchestra, Fritz Reiner, Emanuel List, Leslie Chabay, Rise Stevens, Lorenzo Alvary, Eleanor Steber, Erna Berger | B♭ Minor | 2 | 3A | 79 BPM | ||
Much Ado about Nothing Suite, Op. 11: II. The Maiden in the Bridal Room | Erich Wolfgang Korngold, Marc Albrecht, Orchestre Philharmonique De Strasbourg | D♭ Major | 1 | 3B | 118 BPM | ||
Piano Concerto No.23 In A, K.488: 3. Allegro assai | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | A Major | 1 | 11B | 135 BPM | ||
String Quartet No. 19 in C Major, K. 465 "Dissonance": I. Adagio - Allegro | Wolfgang Amadeus Mozart, Emerson String Quartet | C Major | 1 | 8B | 74 BPM | ||
Der Rosenkavalier op. 59: Mein lieber Hippolyte | Richard Strauss, Metropolitan Opera Orchestra, Fritz Reiner, Eleanor Steber, Peter Klein, Emanuel List, Martha Lipton | G Major | 2 | 9B | 84 BPM |
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