Hildegard von Bingen, Canty, William Taylor's 'O clarissima mater' came out on January 1, 2000. Since O clarissima mater is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Canty's "Hildegard of Bingen: Vocal Ensemble Music" album is number 11 out of 15. On top of that, United States appears to be the country where this track was created. Based on our statistics, O clarissima mater's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O clarissima mater by Hildegard von Bingen, Canty, William Taylor to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
Alleluia - Znamenny Chant, Tone 5; Arr. B. Sheehan | St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan | D♭ Major | 3 | 3B | 136 BPM | ||
Jam Luci Orto Sidere | The Schola Cantorum of St. Peter's in the Loop | F Minor | 0 | 4A | 74 BPM | ||
Graduale ecce quam bonum | Nova Schola Gregoriana, Alberto Turco, Alessio Randon | C Minor | 1 | 5A | 70 BPM | ||
Cunctipotens Genitor Deus | Hortus Musicus | D Minor | 1 | 7A | 81 BPM | ||
Domingo de Quasimodo: Aleluya, In Die (7º modo) | Tradicional, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard | D Major | 1 | 10B | 140 BPM | ||
Kyrie XIV | Abbaye Saint-Joseph de Flavigny | A Minor | 2 | 8A | 112 BPM | ||
Dum Medium Silentium - VIII modo | Schola Gregoriana Mediolanensis & Giovanni Vianini | A♭ Major | 1 | 4B | 162 BPM | ||
Stihira La Laudele Invierii / Sticheron for the Doxologies of the Ressurection | Byzantion | D♭ Major | 1 | 3B | 81 BPM | ||
Ectenia Cererilor / Litany of Supplications | Byzantion | D Major | 1 | 10B | 56 BPM |
Section: 0.5098462104797363
End: 0.5133845806121826