"Benedicamus Domino I & II (fol. 190 & 190v)" by Gauterius prefatus, Magister Droardus Trecensis, Sequentia, Barbara Thornton, Benjamin Bagby was released on April 27, 1992. The duration of Benedicamus Domino I & II (fol. 190 & 190v) is about 3 minutes long, at 3:15. Based on our data, "Benedicamus Domino I & II (fol. 190 & 190v)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vox Iberica I: Donnersöhne - Sons of Thunder by Sequentia. The song's track number on the album is #21 out of 22 tracks. Based on our data, Germany was the country where this track was produced or recorded. Benedicamus Domino I & II (fol. 190 & 190v) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Benedicamus Domino I & II (fol. 190 & 190v) by Gauterius prefatus, Magister Droardus Trecensis, Sequentia, Barbara Thornton, Benjamin Bagby has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Benedicamus Domino I & II (fol. 190 & 190v) being at 71 BPM, the half-time would be 36 BPM with a double-time of 142 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alleluia: Tota Pulchra, Modo I | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | D Major | 1 | 10B | 185 BPM | ||
Lamentations II for Maundy Thursday "In Coena Domini": Lectio I: No. 3, Quomodo sedet sola civitas | Giovanni Pierluigi da Palestrina, Cinquecento | E♭ Major | 0 | 5B | 85 BPM | ||
Miserere: VII. Redde mihi laetitiam ; Docebo iniquos vias tuas - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | B Minor | 0 | 10A | 86 BPM | ||
Amen, Père saint | Makar Ekmalian, Choeur Armenia De Sofia | F Major | 1 | 7B | 138 BPM | ||
Intemerata Dei mater: I. Intemerata Dei mater | Johannes Ockeghem, Marc-André Hamelin, The Gesualdo Six, Owain Park | F Major | 1 | 7B | 135 BPM | ||
Dynamis 1st Mode | Dynamis Byzantine Ensemble | B Minor | 2 | 10A | 135 BPM | ||
Lamentations II for Maundy Thursday "In Coena Domini": Lectio II: No. 8, Jerusalem, Jerusalem | Giovanni Pierluigi da Palestrina, Cinquecento | E♭ Major | 0 | 5B | 85 BPM | ||
いつもいつものアレルヤ | 子羊の群れキリスト教会 | D Minor | 0 | 7A | 124 BPM | ||
Tenebrae Responsories - Matins Responsories for Holy Saturday: Nocturn III - Aestimatus sum | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
Come, Follow After Me | The Schola Cantorum of St. Peter the Apostle, J Michael Thompson | E♭ Major | 1 | 5B | 139 BPM |
Section: 0.7448554039001465
End: 0.7496933937072754