"Rinaldo / Act 1: Aria: Combatti da forte" by George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood was released on October 16, 2000. The duration of Rinaldo / Act 1: Aria: Combatti da forte is about 3 minutes long, at 3:16. Based on our data, "Rinaldo / Act 1: Aria: Combatti da forte" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood's "Handel: Rinaldo (Original 1711 Version)" album is number 5 out of 82. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Rinaldo / Act 1: Aria: Combatti da forte is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Rinaldo / Act 1: Aria: Combatti da forte by George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: II. Caph | François Couperin, William Christie, Patricia Petibon, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM | ||
The Tempest, Z. 631, "The Enchanted Island": Neptune' Masque, Act V, No. 14 (Air) | Henry Purcell, Nils Brown, Michael Colvin, Paul Grindlay, Meredith Hall, Gillian Keith, Brett Polegato, Rosemarie van der Hooft, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 59 BPM | ||
Maddalena ai piedi di Cristo: No. 10 Aria Maddalena "In un bivio è il mio volere" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | A♭ Major | 1 | 4B | 68 BPM | ||
Rinaldo, HWV 7a: Lascia ch'io pianga | George Frideric Handel, Arion Orchestre Baroque, Daniel Taylor, Stephen Stubbs, Suzie LeBlanc | B Minor | 1 | 10A | 74 BPM | ||
Nulla in mundo pax, RV 630: 2. Blande colore...3. Spirat anguis inter flores | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 1 | 4B | 107 BPM | ||
Stabat Mater: 8. Fac ut ardeat | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | F♯ Minor | 3 | 11A | 83 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | G Major | 1 | 9B | 79 BPM | ||
Gloria in D, R.589: 8. Domine Deus, Agnus Dei | Antonio Vivaldi, Carolyn Watkinson, Academy of Ancient Music, Simon Preston | D♭ Minor | 0 | 12A | 70 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
Purcell : King Arthur : Act 3 "Tis I that have warm'd ye" [Soprano] "Tis love that has warm'd us" [Chorus] | William Christie | B♭ Major | 2 | 6B | 81 BPM |
Section: 0.6634435653686523
End: 0.6697561740875244