- BPM
- 99
- Key
- A♭ Major
- Camelot
- 4B
Suite bergamasque: II. Menuet - Claude Debussy, Klara Kormendi Information
- Acousticness
- 99%
- Danceability
- 33%
- Energy
- 16%
- Instrumentalness
- 83%
- Liveness
- 10%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 7%
- Loudness
- -19.884 dB
Summary
"Suite bergamasque: II. Menuet" by Claude Debussy, Klara Kormendi was released on October 24, 1990. With this song being about 5 minutes long, at 4:34, "Suite bergamasque: II. Menuet" by Claude Debussy, Klara Kormendi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 19 in Debussy: Suite Bergamasque / Images / Preludes / Arabesques by Claude Debussy, Klara Kormendi. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Suite bergamasque: II. Menuet is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Suite bergamasque: II. Menuet BPM
The tempo marking of Suite bergamasque: II. Menuet by Claude Debussy, Klara Kormendi is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Suite bergamasque: II. Menuet Key
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | |
 | Appalachian Spring - 1945 Suite: 1. Very slowly | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | A Major | 0 | 11B | 71 BPM | |
 | 8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | |
 | Nocturne in C Sharp | Frédéric Chopin, Robin Smith, HAUSER, Robert Ziegler, London Symphony Orchestra | F♯ Minor | 3 | 11A | 85 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | Tchaikovsky: Swan Lake, Op. 20, Act II: No. 14, Scene. Moderato | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Minor | 2 | 9A | 78 BPM | |
 | Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | |
 | Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | |
 | 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | |
 | Piano Sonata No.14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Daniel Barenboim | D♭ Minor | 0 | 12A | 139 BPM |
- ISRC
- HKI199241602
- Label
- L-M Records/RCA Records
Section: 0.7172002792358398
End: 0.7213034629821777