- BPM
- 105
- Key
- B Major
- Camelot
- 1B
La donna ancora è fedele: Sinfonia: III. Allegro - Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa Information
- Acousticness
- 86%
- Danceability
- 32%
- Energy
- 44%
- Instrumentalness
- 87%
- Liveness
- 28%
- Loudness
- 80%
- Speechiness
- 4%
- Valence
- 83%
- Popularity
- 2%
- Loudness
- -11.941 dB
Summary
On November 11, 2016, the song "La donna ancora è fedele: Sinfonia: III. Allegro" was released by Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa. With La donna ancora è fedele: Sinfonia: III. Allegro being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 32 out of 37 in Concertos and Opera Overtures by Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa. In terms of popularity, La donna ancora è fedele: Sinfonia: III. Allegro is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
La donna ancora è fedele: Sinfonia: III. Allegro BPM
The tempo marking of La donna ancora è fedele: Sinfonia: III. Allegro by Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
La donna ancora è fedele: Sinfonia: III. Allegro Key
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Cain overo Il primo omicidio, IAS 40, Parte Seconda: Aria "Come mostro spaventevole" (Voce di Dio) | Alessandro Scarlatti, René Jacobs, Akademie für Alte Musik Berlin | A♭ Major | 1 | 4B | 78 BPM | |
 | "Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 1. Les Sauvages - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 90 BPM | |
 | Concerto in E Minor: I. Adagio e staccato | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | B Major | 0 | 1B | 132 BPM | |
 | Concerto Grosso No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 135 BPM | |
 | Concerto grosso, sinfonia No. 7 in G Minor: III. Grave | Alessandro Scarlatti, Capella Tiberina, Alexandra Nigito, Corina Marti, Paolo Perrone | E♭ Major | 1 | 5B | 67 BPM | |
 | Concerto Grosso in C Minor, Op. 2, No. 2: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 57 BPM | |
 | Amphitryon, or The Two Sosias, Z.572: Hornpipe - Scotch Tune | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 115 BPM | |
 | Sonata in D Major, No. 1: IV. Adagio | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B♭ Minor | 1 | 3A | 96 BPM | |
 | Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | |
 | Il Vespero di Santa Cecilia - Psalm 109/110: Dixit Dominus: Sicut erat | Alessandro Scarlatti, Philharmonia Baroque Orchestra, Philharmonia Chorale, Nicholas McGegan | E Minor | 0 | 9A | 86 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9610280990600586
End: 0.967689037322998