Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 11.4 & Kapitel 12 & Kapitel 13.1 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 11.4 & Kapitel 12 & Kapitel 13.1 - Wie Google tickt - How Google Works is about 3 minutes long, at 3:19. Based on our data, "Kapitel 11.4 & Kapitel 12 & Kapitel 13.1 - Wie Google tickt - How Google Works" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #32 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Kapitel 11.4 & Kapitel 12 & Kapitel 13.1 - Wie Google tickt - How Google Works's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Kapitel 11.4 & Kapitel 12 & Kapitel 13.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Kapitel 11.4 & Kapitel 12 & Kapitel 13.1 - Wie Google tickt - How Google Works being at 125 BPM, the half-time would be 62 BPM with a double-time of 250 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Gli sguardi trattieni" (Amore) | Christoph Willibald Gluck, Stefan Plewniak, Fatma Said, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Concert: V. Allegro final | Eric Schmidt, Geneva Brass Quintet, Vincent Thévenaz | A Minor | 1 | 8A | 93 BPM | ||
Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | ||
Requiem, Op. 48: V. Agnus Dei | Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra | F Major | 0 | 7B | 64 BPM | ||
Kapitel 84.3 & Kapitel 85.1 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | B Minor | 2 | 10A | 127 BPM | ||
Christus am Ölberge, Op. 85: 5a. "Hier ist er, der Verbannte" | Ludwig van Beethoven, Wiener Symphoniker, Bernhard Klee, Wiener Singverein, Helmut Froschauer | D Major | 4 | 10B | 126 BPM | ||
Requiem, Op. 48: III. Offertoire | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | D Major | 1 | 10B | 76 BPM | ||
25 Poems by Pushkin, Op. 57: No. 17, The Statue at Tsarskoye Selo | César Cui, Irina Arkhipova, Наталия Рассудова | B♭ Major | 3 | 6B | 129 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Turandot, Act III: Nessun dorma! | Giacomo Puccini, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | D Major | 2 | 10B | 84 BPM |
Section: 0.6865053176879883
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