Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon's 'Phaëton, LWV 61: Air pour les peuples qui portent des présents à Isis "L'hiver"' came out on March 27, 2012. With Phaëton, LWV 61: Air pour les peuples qui portent des présents à Isis "L'hiver" being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "The Galileo Project: Music of the Spheres". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Canada. Phaëton, LWV 61: Air pour les peuples qui portent des présents à Isis "L'hiver" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Phaëton, LWV 61: Air pour les peuples qui portent des présents à Isis "L'hiver" by Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon having a BPM of 48 with a half-time of 24 BPM and a double-time of 96 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armide Opera In 5 Acts With Prologue: Passacaille | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 119 BPM | ||
Symphony No. 42 in D Major, Hob. I:42: IV. Finale. Scherzando e presto | Joseph Haydn, Bruno Weil, Tafelmusik Baroque Orchestra | D♭ Minor | 1 | 12A | 77 BPM | ||
Instrumental Music from The Fairy Queen: 11. Dance for Furies (Fairies) | Henry Purcell, Jeanne Lamon, Tafelmusik Baroque Orchestra | F♯ Major | 2 | 2B | 111 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Concerto Grosso in C Minor, Op. 2, No. 2: IV. Allegro | Francesco Geminiani, Tafelmusik Baroque Orchestra, Jeanne Lamon | B Minor | 2 | 10A | 134 BPM | ||
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 83 BPM | ||
Trio Sonata in F Major, W. VII:3, B. 12: I. Allegro | Johann Christoph Friedrich Bach, London Baroque | A Major | 1 | 11B | 98 BPM | ||
Concerto Grosso in D Minor, Op. 2, No. 5: IV. Allegro | Francesco Geminiani, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 2 | 12A | 109 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: II. Adagio | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 1 | 2B | 174 BPM | ||
L'amant anonyme: Ballet No. 1 | Joseph Bologne Chevalier de Saint-Georges, Tafelmusik Baroque Orchestra, Jeanne Lamon | D Major | 1 | 10B | 144 BPM |
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