"Piano Trio in G Major, Op. 65: II. Andante grazioso" by Ludwig van Beethoven, Johann Nepomuk Hummel, Andreas Staier, Jean-Guihen Queyras, Daniel Sepec was released on July 6, 2006. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 18 in Beethoven: Violin Sonatas & Piano Trios by Ludwig van Beethoven, Andreas Staier, Daniel Sepec, Jean-Guihen Queyras. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Piano Trio in G Major, Op. 65: II. Andante grazioso is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Trio in G Major, Op. 65: II. Andante grazioso by Ludwig van Beethoven, Johann Nepomuk Hummel, Andreas Staier, Jean-Guihen Queyras, Daniel Sepec is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
7 Hungarian Dances, Op. 23: No. 4 | Al Goranski, Johann Nepomuk Hummel | D Minor | 2 | 7A | 176 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Fantasie in F Minor, D. 940, Op. 103: IV. Finale. Tempo primo | Franz Schubert, Andreas Staier, Alexander Melnikov | C Major | 1 | 8B | 115 BPM | ||
Missa Solemnis in C Major, WoO 12, S74: Kyrie | Johann Nepomuk Hummel, David Griffiths, Zan McKendree-Wright, Patrick Power, Patricia Wright, TOWER Voices New Zealand, New Zealand Symphony Orchestra, Uwe Grodd | C Major | 1 | 8B | 143 BPM | ||
Das Waldmädchen: No. 6, Allegretto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
Serenade No. 1 in D Major, Op. 11: IVa. Menuetto I | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | B♭ Minor | 0 | 3A | 60 BPM | ||
Variations on an Original Theme in A-Flat Major, D. 813, Op. 35: III. Variation II | Franz Schubert, Andreas Staier, Alexander Melnikov | C Minor | 1 | 5A | 94 BPM | ||
Piano Trio No. 6 in E-Flat Major, Op. 93: II. Un poco larghetto | Johann Nepomuk Hummel, Gould Piano Trio | B Major | 0 | 1B | 79 BPM | ||
Sinfonia no.12 in A minor, "La passione di Gesù Signor nostro": III. Adagio | Antonio Vivaldi, Jean-Guihen Queyras, Akademie für Alte Musik Berlin, Georg Kallweit | B Major | 0 | 1B | 67 BPM |
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