"For Children, BB 53, Vol. 4 (based on Slovakian folk tunes): Nos. 31-37 and 40" by Béla Bartók, Balazs Szokolay was released on July 15, 1989. Since For Children, BB 53, Vol. 4 (based on Slovakian folk tunes): Nos. 31-37 and 40 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "Romantic Piano Favourites, Vol. 9". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Hong Kong. For Children, BB 53, Vol. 4 (based on Slovakian folk tunes): Nos. 31-37 and 40 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With For Children, BB 53, Vol. 4 (based on Slovakian folk tunes): Nos. 31-37 and 40 by Béla Bartók, Balazs Szokolay having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Rhapsody for Violin and Orchestra No. 2 Sz. 90: I. Lassú: Moderato | Béla Bartók, Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | G Major | 1 | 9B | 124 BPM | ||
Mikrokosmos, Vol. 6, Sz. 107: No. 149, 6 Dances in Bulgarian Rhythm (Arr. B. Wulff for Percussion Ensemble) | Béla Bartók, Špela Mastnak, Yuka Ohta, Max Riefer, Deutsche Radio Philharmonie, Pietari Inkinen, Stephan Böhnlein, Martin Frink, Jochen Ille, Michael Gärtner | D♭ Major | 2 | 3B | 74 BPM | ||
Bluebeard's Castle, Op. 11, Sz. 48: Lásd a régi asszonyokat (7th Door) | Béla Bartók, Gustav Belacek, Andrea Meláth, Bournemouth Symphony Orchestra, Marin Alsop | A Major | 1 | 11B | 110 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
For Children, Vol. 4, Sz. 42 (Excerpts) [Original Version]: No. 65, The Old Shepherd. Molto rubato, non troppo lento | Béla Bartók, Fülöp Ránki | B Minor | 0 | 10A | 78 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Intermezzi, Op. 117: 1. In E-Flat Major | Johannes Brahms, Radu Lupu | E♭ Major | 0 | 5B | 73 BPM |
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