"Agony Suite (Arr. F. Strobel): III. Tango" by Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel was released on October 18, 2001. Agony Suite (Arr. F. Strobel): III. Tango is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. There are a total of 25 in the song's album "Schnittke: Music for the Movies". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. In terms of popularity, Agony Suite (Arr. F. Strobel): III. Tango is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Agony Suite (Arr. F. Strobel): III. Tango by Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D Minor, K. 626: I. Introitus - Requiem aeternam & II. Kyrie | Wolfgang Amadeus Mozart, Gliarchiensemble | D Minor | 3 | 7A | 104 BPM | ||
Metropolis: I. Auftakt: Maschinenhalle - Moloch | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | C Minor | 4 | 5A | 75 BPM | ||
Maskerade-Suite: I. Waltz | Aram Khachaturian, Moscow Symphony Orchestra, Veronika Dudarova | C Major | 3 | 8B | 98 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
March (From "Der Liebling des Publikums") | Rundfunk Sinfonieorchester Berlin, Frank Strobel | G Major | 6 | 9B | 126 BPM | ||
Polonaise (From "Vater Sergius") | Rundfunk Sinfonieorchester Berlin, Frank Strobel | G Minor | 0 | 6A | 63 BPM | ||
Masquerade Suite: Romance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | B♭ Minor | 1 | 3A | 176 BPM | ||
Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg): Act I: Prelude | Richard Wagner, Albert Dohmen, Georg Zeppenfeld, Michael Smallwood, Sebastian Noack, Dietrich Henschel, Tuomas Pursio, Jorg Schorner, Thomas Ebenstein, Thorsteen Scharnke, Tobias Berndt, Hans-Peter Scheidegger, Hyung-Wook Lee, Robert Dean Smith, Peter Sonn, Edith Haller, Michelle Breedt, Matti Salminen, Rundfunkchor Berlin, Berlin Radio Symphony Orchestra, Marek Janowski | C Major | 3 | 8B | 96 BPM | ||
Vienna Blood - Waltz Op. 354 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 178 BPM |
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