Keyboard Sonata in C Minor, Op. 17, No. 2 , W. A7: III. Prestissimo
Johann Christian Bach, Alberto Nosè
Bach, J.C.: 6 Keyboard Sonatas, Op. 17
5:06 February 26, 2008
BPM
80
Key
C Minor
Camelot
5A

Embed

Share Link

Keyboard Sonata in C Minor, Op. 17, No. 2 , W. A7: III. Prestissimo - Johann Christian Bach, Alberto Nosè Information

Acousticness
100%
Danceability
31%
Energy
16%
Instrumentalness
92%
Liveness
11%
Loudness
67%
Speechiness
4%
Valence
29%
Popularity
Loudness
-19.855 dB

Summary

Johann Christian Bach, Alberto Nosè's 'Keyboard Sonata in C Minor, Op. 17, No. 2 , W. A7: III. Prestissimo' came out on February 26, 2008. With this song being about 5 minutes long, at 5:06, "Keyboard Sonata in C Minor, Op. 17, No. 2 , W. A7: III. Prestissimo" by Johann Christian Bach, Alberto Nosè is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 14 in Bach, J.C.: 6 Keyboard Sonatas, Op. 17 by Johann Christian Bach, Alberto Nosè. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Keyboard Sonata in C Minor, Op. 17, No. 2 , W. A7: III. Prestissimo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Keyboard Sonata in C Minor, Op. 17, No. 2 , W. A7: III. Prestissimo BPM

The tempo marking of Keyboard Sonata in C Minor, Op. 17, No. 2 , W. A7: III. Prestissimo by Johann Christian Bach, Alberto Nosè is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Keyboard Sonata in C Minor, Op. 17, No. 2 , W. A7: III. Prestissimo Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Minuet in G Major, WoO 10, No. 2 by Ludwig van Beethoven, I MusiciMinuet in G Major, WoO 10, No. 2Ludwig van Beethoven, I MusiciG Major19B95 BPM
Concerto in G Major for Flute, Strings, and Basso Continuo: II. Adagio by Johann Stamitz, Tafelmusik Baroque Orchestra, Jeanne LamonConcerto in G Major for Flute, Strings, and Basso Continuo: II. AdagioJohann Stamitz, Tafelmusik Baroque Orchestra, Jeanne LamonA Major011B71 BPM
Clarinet Concerto No. 5 in B-Flat Major: II. Adagio by Carl Stamitz, Paul Meyer, Kurpfälzisches Kammerorchester, Johannes SchlaefliClarinet Concerto No. 5 in B-Flat Major: II. AdagioCarl Stamitz, Paul Meyer, Kurpfälzisches Kammerorchester, Johannes SchlaefliB♭ Major06B132 BPM
Amadis de Gaule, W. G39: Act I Scene I: Warum, Amor, qualst du mich? (Arcabonne) by Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth RillingAmadis de Gaule, W. G39: Act I Scene I: Warum, Amor, qualst du mich? (Arcabonne)Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth RillingG Minor16A102 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsHaydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten)Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsC Major18B68 BPM
Romance in F Major, Op. 50 by Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg CaetaniRomance in F Major, Op. 50Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg CaetaniF Major17B114 BPM
Cello Concerto in B-Flat Major, RV 423: I. Allegro by Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas KraemerCello Concerto in B-Flat Major, RV 423: I. AllegroAntonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas KraemerB♭ Major26B122 BPM
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio by Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of EnlightenmentBach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. AdagioJohann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of EnlightenmentD♭ Minor112A133 BPM
Symphony No. 3 in C Major, Op. 2, Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. VivaceWilliam Boyce, Aradia Ensemble, Kevin MallonA♭ Minor01A121 BPM
Der Fischer und das Milchmädchen: III. Allegro furioso by Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario SalviDer Fischer und das Milchmädchen: III. Allegro furiosoGiacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario SalviD Major110B77 BPM
ISRC
HKI190721505
Label
L-M Records/RCA Records

Section: 0.7009577751159668

End: 0.7048754692077637