Pierre Attaingnant, Ronn McFarlane made "The Early Chanson Anthologies: Branle de Poictou" available on February 1, 2011. With The Early Chanson Anthologies: Branle de Poictou being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ronn McFarlane's "McFarlane, Ronn: The Renaissance Lute" album is number 5 out of 38. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Early Chanson Anthologies: Branle de Poictou is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of The Early Chanson Anthologies: Branle de Poictou by Pierre Attaingnant, Ronn McFarlane to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tastar da Corde | Eduardo Paniagua | G Minor | 1 | 6A | 137 BPM | ||
Lagrime di San Pietro: V. Giovane donna il suo bel volto in specchio | Orlande de Lassus, Gallicantus, Gabriel Crouch | G Minor | 1 | 6A | 66 BPM | ||
Fantasia II | Luis de Milán, Shirley Rumsey | C Minor | 0 | 5A | 120 BPM | ||
Terpsichore*: Bransle de la Torche | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 0 | 8B | 91 BPM | ||
Dansereye (1551): Passe e medio/ Reprise 'Le Pingue' | Tylman Susato, New London Consort, Philip Pickett | D Minor | 1 | 7A | 170 BPM | ||
Je me complains piteusement | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Major | 0 | 11B | 75 BPM | ||
Terpsichore*: Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 1 | 8B | 104 BPM | ||
Chansons: Filles a marier ne vous mariez ja | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | D♭ Major | 3 | 3B | 149 BPM | ||
Chançon ferai, que talenz m’en est pris | Thibaut de Champagne, Brigitte Lesne, Alla Francesca | D♭ Major | 2 | 3B | 94 BPM | ||
Colla iugo subdere - Bona condit cetera - Libera me, Domine (Motette) | Philippe de Vitry, Sequentia | C Major | 1 | 8B | 81 BPM |
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