- BPM
- 86
- Key
- A Major
- Camelot
- 11B
Lucia di Lammermoor, Act I: Lucia perdona... Sulla tomba - Live in Turin, 1967 - Gaetano Donizetti, Luciano Pavarotti, Renata Scotto, RAI Symphony Orchestra Turin, Francesco Molinari-Pradelli Information
- Acousticness
- 98%
- Danceability
- 45%
- Energy
- 17%
- Instrumentalness
- 34%
- Liveness
- 16%
- Loudness
- 79%
- Speechiness
- 5%
- Valence
- 17%
- Popularity
- 1%
- Loudness
- -12.477 dB
Summary
"Lucia di Lammermoor, Act I: Lucia perdona... Sulla tomba - Live in Turin, 1967" by Gaetano Donizetti, Luciano Pavarotti, Renata Scotto, RAI Symphony Orchestra Turin, Francesco Molinari-Pradelli was released on January 1, 2010. With this song being about 5 minutes long, at 5:28, "Lucia di Lammermoor, Act I: Lucia perdona... Sulla tomba - Live in Turin, 1967" by Gaetano Donizetti, Luciano Pavarotti, Renata Scotto, RAI Symphony Orchestra Turin, Francesco Molinari-Pradelli is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Luciano Pavarotti's "Luciano Pavarotti: The Ultimate Collection Live – Over 100 Tracks Live in Concert and at the Opera" album is number 45 out of 115. On top of that, United States appears to be the country where this track was created. Lucia di Lammermoor, Act I: Lucia perdona... Sulla tomba - Live in Turin, 1967 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Lucia di Lammermoor, Act I: Lucia perdona... Sulla tomba - Live in Turin, 1967 BPM
We consider the tempo marking of Lucia di Lammermoor, Act I: Lucia perdona... Sulla tomba - Live in Turin, 1967 by Gaetano Donizetti, Luciano Pavarotti, Renata Scotto, RAI Symphony Orchestra Turin, Francesco Molinari-Pradelli to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Lucia di Lammermoor, Act I: Lucia perdona... Sulla tomba - Live in Turin, 1967 Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Adriana Lecouvreur / Act 1: Io son l'umile ancella | Francesco Cilea, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 1 | 4B | 89 BPM | |
 | Madama Butterfly (1986 - Remaster), Act I: Dovunque al mondo (Pinkerton/Sharpless/Goro) | Giacomo Puccini, Carlo Bergonzi, Rolando Panerai, Piero de Palma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | D♭ Major | 1 | 3B | 130 BPM | |
 | Lucia di Lammermoor: Act I: Regnava nel silenzio (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Tito Gobbi, Raffaele Arie, Valiano Natali, Anna Maria Canali, Gino Sarri, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | F♯ Major | 1 | 2B | 86 BPM | |
 | La Sonnambula (1997 Digital Remaster): Compagne, temiri amici ....Come per me sereno | Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | A♭ Major | 1 | 4B | 113 BPM | |
 | Anna Bolena / Act 1: "Tutta in voi la luce mia" | Gaetano Donizetti, Samuel Ramey, Bernadette Manca Di Nissa, Welsh National Opera Orchestra, Richard Bonynge | C Major | 2 | 8B | 123 BPM | |
 | Puccini: La bohème, Act 1: "O soave fanciulla" (Rodolfo, Mimì) | Giacomo Puccini, James Conlon, Barbara Hendricks, José Carreras, Orchestre National De France | D♭ Minor | 2 | 12A | 168 BPM | |
| Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | |
 | Mozart: Don Giovanni, K. 527, Act 1: "Là ci darem la mano" (Don Giovanni, Zerlina) | Wolfgang Amadeus Mozart, Riccardo Muti, Susanne Mentzer, William Shimell, Wiener Philharmoniker | A Major | 1 | 11B | 67 BPM | |
 | Beatrice di Tenda / Act 2: Angiol di pace - Live | Vincenzo Bellini, Luciano Pavarotti, Joan Sutherland, Marilyn Horne, New York City Opera Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 85 BPM | |
 | Lucia di Lammermoor / Act 1: "Tu sei turbato!" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM |
- ISRC
- USSRL0701580
- Label
- L-M Records/RCA Records
Section: 1.0939178466796875
End: 1.0981359481811523