"La Boutique fantasque, P. 120 (After Rossini): VIII. Galop" by Ottorino Respighi, John Neschling, Orchestre Philharmonique Royal de Liège was released on September 1, 2010. With this song being about 5 minutes long, at 5:27, "La Boutique fantasque, P. 120 (After Rossini): VIII. Galop" by Ottorino Respighi, John Neschling, Orchestre Philharmonique Royal de Liège is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 82 in the song's album "Respighi: Orchestral Works". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Sweden. Based on our statistics, La Boutique fantasque, P. 120 (After Rossini): VIII. Galop's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Boutique fantasque, P. 120 (After Rossini): VIII. Galop by Ottorino Respighi, John Neschling, Orchestre Philharmonique Royal de Liège having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 65 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Martha Argerich | F Major | 0 | 7B | 130 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
6 Moments musicaux, Op. 16: No. 4, Presto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Sopra un'aria antica | Ottorino Respighi, Anna Caterina Antonacci, Donald Sulzen | D Major | 4 | 10B | 77 BPM | ||
2 Bagatelles, Op. 173: No. 2. Andantino | Valentin Silvestrov, Elisaveta Blumina | C Major | 0 | 8B | 70 BPM | ||
Serenade in D Major: II. Scherzo. Allegro vivace | Dame Ethel Smyth, Odaline de la Martinez, BBC Philharmonic | G Major | 1 | 9B | 148 BPM |
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