"The Age of Birds, Op. 25: III. The Sun" by Takashi Yoshimatsu, Sachio Fujioka, BBC Philharmonic Orchestra was released on May 1, 2004. Since The Age of Birds, Op. 25: III. The Sun is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Yoshimatsu: The Age of Birds, Cello Concerto & Chikap by Takashi Yoshimatsu, Sachio Fujioka, BBC Philharmonic Orchestra, Peter Dixon. The song's track number on the album is #3 out of 9 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, The Age of Birds, Op. 25: III. The Sun's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Age of Birds, Op. 25: III. The Sun by Takashi Yoshimatsu, Sachio Fujioka, BBC Philharmonic Orchestra has a tempo of 138 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With The Age of Birds, Op. 25: III. The Sun being at 138 BPM, the half-time would be 69 BPM with a double-time of 276 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM | ||
Static Dream Pavane | Takashi Yoshimatsu, Pascal Rogé | E Minor | 0 | 9A | 67 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Sonata for Solo Harp: I. Allegretto | Germaine Tailleferre, Valérie Milot | D♭ Major | 1 | 3B | 84 BPM | ||
Binchois: Triste plaisir | Gilles Binchois, Jeremy Denk | G Minor | 0 | 6A | 161 BPM | ||
Romance for Cello and Piano | Frederick Delius, Yo-Yo Ma, Kathryn Stott | B Major | 0 | 1B | 66 BPM | ||
Louange à l'Éternité de Jésus (From "Quartet for the End of Time") | Olivier Messiaen, Yo-Yo Ma, Kathryn Stott | E Major | 0 | 12B | 83 BPM | ||
Keyboard Sonata in D Minor, K.32/L.423/P.14 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | E Minor | 0 | 9A | 137 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 5, Andante tranquillo "The Lady and the Dragon" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 83 BPM | ||
Six Melodies - performed on Violin and Harp: No.1 Rubato | John Cage, Gidon Kremer, Naoko Yoshino | D Minor | 0 | 7A | 113 BPM |
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