"Rhapsody on a Theme of Paganini, Op. 43: Var. 21" by Sergei Rachmaninoff, Julius Katchen, London Philharmonic Orchestra, Sir Adrian Boult was released on 1954. With Rhapsody on a Theme of Paganini, Op. 43: Var. 21 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 38 in the song's album "Rachmaninoff: Rhapsody on a theme of Paganini [1954]; Dohnányi: Variations on a Nursery Song [1954] (Adrian Boult – The Decca Legacy III, Vol. 11)". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Rhapsody on a Theme of Paganini, Op. 43: Var. 21 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rhapsody on a Theme of Paganini, Op. 43: Var. 21 by Sergei Rachmaninoff, Julius Katchen, London Philharmonic Orchestra, Sir Adrian Boult having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Après un rêve, Op. 7, No. 1 | Gabriel Fauré, Yo-Yo Ma | F Minor | 0 | 4A | 115 BPM | ||
Concerto en ré mineur, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 2 | 7A | 85 BPM | ||
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
Charterhouse Suite: Prelude | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | F Major | 0 | 7B | 134 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 1. Adagio | Johann Sebastian Bach, Hilary Hahn | G Minor | 1 | 6A | 84 BPM | ||
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH. 55: II. Andantino semplice - Prestissimo - Tempo I - Live at Philharmonie, Berlin | Pyotr Ilyich Tchaikovsky, Evgeny Kissin, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 80 BPM |
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