Top Hat White Tie and Tails (Quickstep/49BPM) - Re-recorded
Ross Mitchell His Band and Singers
The Rainbow Collection (Re-recorded)
2:05 February 4, 1989
BPM
199
Key
B Minor
Camelot
10A

Embed

Share Link

Top Hat White Tie and Tails (Quickstep/49BPM) - Re-recorded - Ross Mitchell His Band and Singers Information

Acousticness
35%
Danceability
44%
Energy
55%
Instrumentalness
0%
Liveness
37%
Loudness
82%
Speechiness
4%
Valence
84%
Popularity
Loudness
-10.959 dB

Summary

On February 4, 1989, the song "Top Hat White Tie and Tails (Quickstep/49BPM) - Re-recorded" was released by Ross Mitchell His Band and Singers. The duration of Top Hat White Tie and Tails (Quickstep/49BPM) - Re-recorded is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Top Hat White Tie and Tails (Quickstep/49BPM) - Re-recorded's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "The Rainbow Collection (Re-recorded)". In this album, this song's track order is #2. The popularity of Top Hat White Tie and Tails (Quickstep/49BPM) - Re-recorded is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Top Hat White Tie and Tails (Quickstep/49BPM) - Re-recorded BPM

With Top Hat White Tie and Tails (Quickstep/49BPM) - Re-recorded by Ross Mitchell His Band and Singers having a BPM of 199 with a half-time of 100 BPM and a double-time of 398 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

Top Hat White Tie and Tails (Quickstep/49BPM) - Re-recorded Key

This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Bye Bye Paris by Ray Collins' Hot ClubBye Bye ParisRay Collins' Hot ClubG Major79B158 BPM
In the Medley Mood - Instrumental by Ballroom OrchestraIn the Medley Mood - InstrumentalBallroom OrchestraF Major67B164 BPM
One Scotch, One Bourbon, One Beer by Bun-Jon & The Big JiveOne Scotch, One Bourbon, One BeerBun-Jon & The Big JiveE Minor69A122 BPM
Charleston Baby - Charleston by Joe Livingston Dance OrchestraCharleston Baby - CharlestonJoe Livingston Dance OrchestraE Minor69A100 BPM
Top Hat White Tie and Tails (Quickstep/49BPM) - Re-recorded by Ross Mitchell His Band and SingersTop Hat White Tie and Tails (Quickstep/49BPM) - Re-recordedRoss Mitchell His Band and SingersB Minor510A199 BPM
Little Bitty Pretty One by Andy FortunaLittle Bitty Pretty OneAndy FortunaG Minor66A174 BPM
Rock with the Caveman - Jive / 44 BPM by The Dancelife Studio Orchestra & SingersRock with the Caveman - Jive / 44 BPMThe Dancelife Studio Orchestra & SingersD Minor57A177 BPM
Auld lang syne by Orchester Werner TauberAuld lang syneOrchester Werner TauberG Major79B128 BPM
Frenesí by Cantovano and His OrchestraFrenesíCantovano and His OrchestraA♭ Major74B124 BPM
Opus One by The Mills BrothersOpus OneThe Mills BrothersG Major59B77 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5161550045013428

End: 0.5205955505371094