Mario Castelnuovo-Tedesco, Gil Shaham, Akira Eguchi's 'Paraphrase on "Largo al factotum" from G. Rossini's opera "Il barbiere di Siviglia"' came out on January 1, 1997. With this song being about 5 minutes long, at 4:43, "Paraphrase on "Largo al factotum" from G. Rossini's opera "Il barbiere di Siviglia"" by Mario Castelnuovo-Tedesco, Gil Shaham, Akira Eguchi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "The Fiddler Of The Opera". In this album, this song's track order is #1. Paraphrase on "Largo al factotum" from G. Rossini's opera "Il barbiere di Siviglia" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Paraphrase on "Largo al factotum" from G. Rossini's opera "Il barbiere di Siviglia" by Mario Castelnuovo-Tedesco, Gil Shaham, Akira Eguchi having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Yesler Way | Kevin Callahan | G Minor | 0 | 6A | 115 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 10 in B-Flat Major | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | B♭ Major | 1 | 6B | 156 BPM | ||
Sonidos de aquel dia (Sounds from That Day) | Quique Sinesi, Victor Villadangos | D Major | 0 | 10B | 99 BPM | ||
Estudios sencillos: First Series: II | Leo Brouwer, Ricardo Cobo | C Major | 0 | 8B | 107 BPM | ||
Suite Venezolano: I Registro (Preludio) | Antonio Lauro, Adam Holzman | G Major | 1 | 9B | 98 BPM | ||
25 Etudes, Op. 38: No. 23 in A Major: Moderato | Napoléon Coste, Jeffrey McFadden | D Major | 2 | 10B | 119 BPM | ||
Notenbüchlein für Anna Magdalena Bach (Arr. for guitar A. Lagoya): 5. Menuet in G minor, Anh.115 | Christian Petzold, Alexandre Lagoya | G Minor | 2 | 6A | 117 BPM | ||
Tansman: Musique de cour d'après Robert de Visée: II. Menuet | Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | G Minor | 1 | 6A | 69 BPM | ||
Marta | Marco Pereira, Ricardo Cobo | A Minor | 0 | 8A | 67 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 4 in E Major | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Major | 1 | 12B | 88 BPM |
Section: 0.6573200225830078
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