"Six epigraphes antiques, L. 131: 3. Pour que la nuit soit propice" by Valeria Szervánszky, Ronald Cavaye was released on January 7, 1995. The duration of Six epigraphes antiques, L. 131: 3. Pour que la nuit soit propice is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Six epigraphes antiques, L. 131: 3. Pour que la nuit soit propice's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Stravinsky: Le Sacre du printemps". In this album, this song's track order is #17. Six epigraphes antiques, L. 131: 3. Pour que la nuit soit propice is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Six epigraphes antiques, L. 131: 3. Pour que la nuit soit propice by Valeria Szervánszky, Ronald Cavaye having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Arietta | Edvard Grieg, Christopher Ferreira | E♭ Major | 0 | 5B | 142 BPM | ||
Mad Rush: Part D (Bar 232 - Bar 273) | Philip Glass, Vestard Shimkus | F Major | 0 | 7B | 65 BPM | ||
Concerto for Piano and Orchestra No. 23 in A major: II. Adagio | Wolfgang Amadeus Mozart, Imogen Cooper, Royal Northern Sinfonia | F♯ Minor | 0 | 11A | 85 BPM | ||
The Rite of Spring, Pt. 1: Ritual of Abduction | Valeria Szervánszky, Ronald Cavaye | G Minor | 3 | 6A | 184 BPM | ||
Capriccio sopra la lontananza del fratello dilettissmo in B-Flat Major, BWV 992: V. Postilion's Aria: Allegro poco | Johann Sebastian Bach, Wolfgang Rübsam | B♭ Major | 2 | 6B | 95 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Nocturnes, Op. 9: No. 1 in B flat major. Larghetto | Frédéric Chopin, Brigitte Engerer | B♭ Minor | 0 | 3A | 72 BPM | ||
Chopin - Prelude E-Minor OP.28 No 4 | Martin Bloch | E Minor | 0 | 9A | 68 BPM | ||
And Birds Are Still . . ., Op. 72 | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata | G Major | 1 | 9B | 86 BPM |
Section: 0.6354069709777832
End: 0.6412007808685303