Валентина Петрова, хор Большого театра, Boris Khaikin, Борис Хайкин, Оркестр Большого театра made "Евгений Онегин, соч. 24, действие I картина 1: No. 2b, "Здравствуй, матушка-барыня"" available on January 1, 2011. With Евгений Онегин, соч. 24, действие I картина 1: No. 2b, "Здравствуй, матушка-барыня" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in Чайковский: Евгений Онегин, соч. 24, so we believe that "Евгений Онегин, соч. 24, действие I картина 1: No. 2b, "Здравствуй, матушка-барыня"" is a single. The popularity of Евгений Онегин, соч. 24, действие I картина 1: No. 2b, "Здравствуй, матушка-барыня" is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Евгений Онегин, соч. 24, действие I картина 1: No. 2b, "Здравствуй, матушка-барыня" by Валентина Петрова, хор Большого театра, Boris Khaikin, Борис Хайкин, Оркестр Большого театра is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Pasquale, Act III Prima Scena: I diamanti, presto, presto (Coro/Pasquale) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | D Major | 5 | 10B | 148 BPM | ||
Carmen / Act 1: Ma Mère, je la vois! | Georges Bizet, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 144 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Chanson. "Si je bois un peu, beaucoup" (Alfred, Caroline) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Remy Corazza, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
Gounod : Faust : Act 2 "Faites-lui mes aveux" [Siébel] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | C Major | 0 | 8B | 151 BPM | ||
Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 13, In vollem Glanze steiget jetzt die Sonne strahlend auf | Joseph Haydn, Dresdner Philharmonie, Marek Janowski, Benjamin Bruns | B♭ Major | 3 | 6B | 117 BPM | ||
Il barbiere di Siviglia / Act 1: E desso, o pur m'inganno | Gioachino Rossini, Ugo Benelli, Manuel Ausensi, Fernando Corena, Teresa Berganza, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 2 | 8B | 80 BPM | ||
The Bartered Bride: ACT I, Scene 3. Kecal Jak vám pravím | Bedřich Smetana, Jozef Benci, Jiří Bělohlávek, BBC Symphony Orchestra | D Major | 2 | 10B | 84 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 2: But hark! upon my sense | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence, Anna Stephany | D Major | 0 | 10B | 85 BPM | ||
Massenet: Don Quichotte, Act 1: "Ah ! C'est vous qui lanciez" (Dulcinée, Don Quichotte, Juan) | Jules Massenet, Teresa Berganza, José van Dam, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
The Magic Flute, Act II: Pa-pa-ge-na!' - 'Pa-pa-ge-no! | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Simon Keenlyside, Leslie Garrett | C Major | 1 | 8B | 78 BPM |
Section: 0.9501504898071289
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