Steven Mackey, Ayano Kataoka, David Requiro, Hyeyeon Park, Kristin Lee, Romie de Guise-Langlois, Tara Helen O'Connor's 'Micro-Concerto: I. Chords and Fangled Drumset (Live)' came out on December 16, 2019. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Music@Menlo Live: Incredible Decades, Vol. 7" album is number 8 out of 12. On top of that, United States appears to be the country where this track was created. In terms of popularity, Micro-Concerto: I. Chords and Fangled Drumset (Live) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Micro-Concerto: I. Chords and Fangled Drumset (Live) by Steven Mackey, Ayano Kataoka, David Requiro, Hyeyeon Park, Kristin Lee, Romie de Guise-Langlois, Tara Helen O'Connor to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): IV. Bird Music | Oliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. Mikkelson | E Minor | 2 | 9A | 112 BPM | ||
Nacht und Träume, D. 827 - Arr. for Sextet by R. Leleu | Romain Leleu Sextet, Romain Leleu | G Major | 1 | 9B | 111 BPM | ||
Animal, Vegetable, Mineral (Version for Saxophone Quartet): I. Jackass | Steven Mackey, Prism Quartet | C Minor | 2 | 5A | 119 BPM | ||
Fall of the Leaf: II. Vivace | Imogen Holst, Thomas Hewitt Jones | F Major | 1 | 7B | 142 BPM | ||
Violin Concerto: II. Warm | Christopher Schmitz, Amy Schwartz Moretti, London Symphony Orchestra, Stefan Sanderling | D Minor | 1 | 7A | 89 BPM | ||
String Quartet No. 1 in F Major, Op. 18: II. Adagio affettuoso ed appassionato | Ludwig van Beethoven, Narratio Quartet | D Minor | 0 | 7A | 67 BPM | ||
Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
Rhapsody, Concerto for Orchestra (2021 Version): II. Airs and Rhapsodies | Margaret Brouwer, ORF Vienna Radio Symphony Orchestra, Marin Alsop | A Major | 2 | 11B | 105 BPM | ||
Stumble to Grace: V. Stage 5 | Steven Mackey, Orli Shaham, David Robertson, Los Angeles Philharmonic | C Major | 4 | 8B | 142 BPM | ||
Release the (Fruit) Bats | David Whatson | E Major | 1 | 12B | 103 BPM |
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